Bombay Chest Before Veneer |
Bombay Chest After Veneer |
Fast forward two months, she contacted me again. The top was cracked and she didn't want to paint it, because she was worried that the cracks would eventually split the entire surface, so she opted for a new veneer that she would stain, then paint the rest of the chest. She supplied the oak veneer, which looked like the original oak. Amy and I worked together on the veneer. I applied two coats of contact cement to the underside of the veneer and one coat to the chest top. Once the cement was dried, we carefully picked up the veneer and began to align it to the surface of the chest. I was glad for her offer to help since it's much easier to do with four hands, to properly align the veneer into position before it makes final contact. Once it makes contact, that's it. You don't have a chance to reposition it. (That's why it's called contact cement!)
Once we had it centered, we lowered it, and BOOM! It stuck. Oops! Unfortunately, the veneer didn't quite line up with the edge of the chest top, so I had to act quickly to remove it, so we could try again. I grabbed my heat gun, plugged it in and quickly aimed it at the sticky area while Amy pulled the veneer upward. Slowly, but surely, the contact cement released and we were able to carefully lower the veneer into the correct position, covering the entire surface of the chest with enough overlap to trim. The process was a bit nerve-wracking, but the end result was a brand new veneer surface, that looked like the original surface had looked many years ago.