1940’s Chair New Upholstery

 

1940s Chair Before

1940s Chair After

This was a super challenging reupholstery project. This chair was purchased by my customer’s grandmother in the 1940s. The story was that her grandmother had saved her money so she could purchase this heart-shaped back chair. I’m sure at the time she bought it, it was in much better condition than when I received it. Made of green satin, the chair was made with tufting, buttons and formed to accentuate the heart shape, which is part of the chair’s wood structure. 

Because the original fabric was much thinner than the upgraded fabric, it had a skirting along the bottom edge which surrounded the chair. Popular for the time, this skirting was a definitive feminine design for a small chair such as this which was commonly found in a woman’s dressing room. The chair’s petite size is an attractive feature because it was small enough to put into a corner of a bedroom or dressing room. The heart-shaped top was surrounded by shirred fabric to match the arms. Piping in an off-white was the accent color for the green. However, the chair had seen better days and had spent many years neglected,  suffering the elements and its share of rodent damage as well as other crawly things that made the interior their home. To say the least, it needed a major overhaul.

Back of chair after

Back of chair before

My customer had her heart set on a nautical theme and chose a lovely fabric with light blue, gray, white and navy with various nautical elements including sea shells, lighthouse, seagulls and a compass. The colors were muted but worked well with the overall design and theme of the fabric. 

I spent four evenings removing the old fabric, including the old thread and taking the sections apart, measuring and marking them, so that I could replicate them in the new design. However ambitious this was, it didn’t turn out that way. As I reconstructed the new underlayment of the chair, i.e. webbing, burlap, foam, rolled raw cotton batting, etc. the dictation that I take it into a different direction. I had always planned on adding the skirting, but the more I worked on the fabric, the less I wanted the skirting. It just didn’t look right with the new design of the chair.

Because the chair had zig-zag springs, it required a strong foundation so that you wouldn't feel the springs when you sat on the chair. And because the upholstery fabric was considerably thicker than the original satin, creating the “loose cushion” style was not possible. I was able to maintain integrity of the chair’s original “heart” design in the back by following the form of of the wood and being conscientious about keeping that shape while adding the various layers of cotton batting and foam. 

The most difficult part of the top heart shaped area was adding the fabric covered buttons. Because I made the back as a single, attached unit, the buttons has to be pulled through all those layers and stitched individually into place before the back fabric could be applied. This proved to be quite a task which involved using various tools of the trade. (I have learned to keep bandaids on hand while doing this type of work!)

Because of the shaping of the new fabric, I could only add piping to the very back of the chair, but I used two rows for character and keeping the back area straight, so I could easily apply the back fabric by using tack strip. Tack strip (or curve ease) attaches the back fabric in a way that you can’t see any fasteners. It’s got sharp “teeth” that grab the fabric’s edge, then gets hammered down to close the fabric on itself. 

Because the chair’s arms were built with fairly thin wood strips, it was a bit tricky attaching the batting layers and eventually the fabric because it was difficult to find where the wood was. This was quite time-consuming, but turned out great. Plus with all the padding, the chair is much more comfortable than it was before since the seating is much thicker than it was originally made. I finished the chair by making arm covers (to protect from your skin’s natural oil) and made a matching pillow with ruffled edges. I refinished the chair’s legs, because I opted to omit the original skirting, which simply didn’t look good with the updated fabric and style of the chair. The legs weren’t in bad shape, but they needed a touch-up so this completed the chair. Now it’s ready to face another 70 years as a cute little chair that graces a woman’s dressing room.

Antique Oak High Chair

    

High Chair Before

    The very nature of a chair’s construction makes it quite time consuming

High Chair After

to work on. When a chair has spindles with curves and detail, the time spent stripping is even more time consuming than a relatively simple style. But the very best part of restoring any chair is the finished product, which always amazes me because of the drastic difference between how it comes to us and how it looks when it is restored. Yup, chairs are a lot of work, but the outcome is always worthwhile and successful.     

    A high chair such as this one was once used for a great-grandfather whom would have been seated in while his mother fed him mashed carrots. Needless to say if this chair could speak, oh what stories it would tell! Unfortunately, the most obvious story was that it was in need of restoration and repair. The seat was held together by panty hose (which works well in a pinch!)

    The center portion of the seat had split directly in the center as well as a minor split closer to the side. Therefore in addition to refinishing, it needed to be repaired first. The best way to achieve this and do it properly, was to take it apart, partially. Once it was separated all the way, it was cleaned and re-glued, then clamped overnight so that the glue would do its job and mend the splits. If this is done properly, the glue will hold for many years to come (providing a high school student that had long since outgrown the chair didn’t intend to sit on it!)

    After the chair was strong and secure again, the slow and tedious process of stripping and sanding was next. There are no shortcuts when it comes to stripping a chair, any chair. It simply takes a long time because chairs have a LOT of surface area. This chair had such pretty grain that had been hiding under many years of use. When this is stripped and sanded away, that original grain shines through, giving the chair a new life by revealing its original beauty. We selected “gunstock” stain and a satin finish for this high chair. I absolutely love the way the chair turned out! Once again structurally sound and the gorgeous wood revealed, this chair is ready for another century of being a family heirloom.

Check out the other high chair we’ve done by clicking on this link: https://finalefurniture.blogspot.com/2020/06/height-chair-before-height-chair-after.html

Dining Room Table

Duncan Phyfe Dining Table

A large dining room table is one of the most challenging of all furniture restoration jobs, due to the sheer size of the project. Tables are large, heavy and difficult to transport, not to mention all that surface takes a while to strip, sand and refinish. That's why tables are amongst the highest price items when it comes to refinishing cost, but personally, I still prefer a large table to a set of chairs with spindles! Don't get me started on spindles. They're lovely, indeed, but they require a LOT of patience and time.

This lovely mahogany dining room table was quite large to begin with, plus it had two 12" leaves that also needed refinishing. This table had a few surface scratches, luckily they weren't too deep so I was able to sand them away, leaving the table's surface as good as new and ready to accept the stain, for which I chose mahogany, to match the wood. Once restored to its former beauty, this table took its place in the dining room, ready to serve up many family meals for years to come.