Vintage 1961 Lane Guitar Pick Table

 

Guitar Pick Table Before Stripping

Guitar Pick Table After Stripping

This is a vintage, 1961 Lane Guitar Pick table, well known for its unique shape which resembles a guitar pick (or Ouija board planchette) depending on how you look at it. My customer had found it on the side of the road. 

Someone had decided it was a good idea to spray paint it black. Perhaps it had belonged to someone’s grandmother and when they acquired it, they wanted a “modern” look, not realizing that it was already a mid-century classic without the need for paint. Luckily someone rescued it from the garbage truck and saw the beauty of this table. 

Whomever had dumped this beauty, clearly did not know what they had thrown own or its value. After we had researched this table, we found they were selling on eBay for between $1600-$1700. 

Like Lane cedar chests, you can tell the age of the piece by looking at the serial number (usually found on the bottom) and backward, it tells you the date the furniture was made. This table’s serial number was 610250, which translates to May 20, 1961. This little tidbit of information is fun to know when browsing estate sales or resale shops while looking for or at Lane furniture.

The unique two-tone, notched top characteristic was still visible, despite the paint. Luckily its tell-tale markings could still be seen beneath the thin layer of black spray paint. This table needed plenty of stripping and sanding to reveal the beautiful wood covered by the paint. Once that was removed, it revealed the beauty hidden for so many years. The two-tone wood was a perfect complement to the original cut and style of this table, making it a masterpiece for many years to come.

Sofa Gets Six New Box Cushions

Updated, New Foam w/Tweed Fabric

Outdated Fabric,
Saggy Cushion

If you’ve lived through the 1970’s, you’ll likely have owned or knew someone who owned a sofa with fabric that looked similar to the one on the left. I refer to this as “Brady Bunch” fabric, the popular rust, tan and brown used on the show along with bright orange, green and yellow tones. My parents had a similar style sofa and chair in their living room, but with more green and a smaller plaid than this one. Since the 1970’s, fabrics have changed and we have so many more options in the twenty-first century than we did in the 1970’s. The sofa had a total of six cushions, three seat and three accompanying back cushions.

The original covers had a center seam style with a single row of piping which surrounded the top and bottom seat, along with a rear metal zipper. Modern box cushions are constructed with a top, a bottom and a center “boxing” which includes a zipper placket. The best technique to make these box cushions is to measure the size of the foam and allow at least 5/8” seam allowance for each side. These cushions needed new foam which was 6”, so it was necessary to allow a 7-1/2” zipper placket and a 6-1/2” surround, which is sewn to the completed placket. If all seams are sewn properly and accurately, both fabric sections should line up for a nice, even continuous side boxing. 

For these cushions, it was easier to make the top and bottom portions, adding the piping to each one, then stitching the zipper placket in place using clips, which are easy to move when you’re fitting the placket to the top and bottom fabric. A piping foot is an essential tool for this project. Piping (also known as welting or cording) is comprised of a tightly wrapped polyester cord commonly used in upholstery projects as an insert, for a customized, decorative edge. In apparel, it can be used as a décor item or trim. Piping comes in various thicknesses for different applications. 

These were six loose cushions used on a wood-framed sofa. The foam itself had severely deteriorated (as 50 year old foam will) and was crumbling inside the fabric, leaving a fine, yellow powdery residue. Surprisingly the fabric was not torn or damaged, but was very loose and saggy, due to the cushion no longer holding its shape as a result of shrunken, deteriorated foam. Therefore six new foam cushions was a must, as well as new fabric. If you’re going to invest in new fabric, it’s recommended to get new foam to get the maximum comfort and longest wear. However, if your cushions are still in good shape, they can be used with new fabric. All new foam is then wrapped in Dacron for a nice crown and better shaping.

The customer chose a lovely gray tweed interspersed with off white, nicely woven into the gray. The color combination was great and the fabric was easy to work with, despite it being relatively heavy upholstery material. The stitches were practically invisible (always a bonus) therefore the cushions came together beautifully. They should last many years and provide comfort and support to all who sit on them. 

Painted Cedar Chest Revival

Cedar Chest Before

Cedar Chest After

This is one of many cedar chests we have done, but it is the first one we have refinished that was painted. Personally, I can’t imagine why someone would paint a cedar chest, as the wood itself is too beautiful to cover up. My customer had purchased this painted cedar chest at an estate sale and wanted to see what was hidden beneath ugly green paint. I innerly groaned envisioning someone slapping paint on such a lovely piece of furniture. We had our work cut out for us!

The refinishing process is tedious, but when we get a painted item of furniture that the customer wants stained, it is necessary that every spec of paint is removed, because once it is stained, if not removed, that paint will be visible. Therefore, the stripping and sanding process must be done with intense precision and close attention to detail. It is easy to overlook the small crevices, but they too must be stripped of any and all remnants of paint or any other old finish. That’s where the wood carving tools come in quite handy as they allow us to get into the tiny spots that paint can get trapped.

You never really know what the wood will reveal once the paint has been removed, but as with most cedar chests, this one was was quite beautiful. It had accent strips on the front with wood “buttons” for a bit if decorative flair. It has great lines and a lift-up shelf not the inside. It was also a Lane, so a commonly known brand name that many people have experience with. Upon research, I discovered that Lane cedar chests have the date they were made stamped on the underside of the chest in reverse.  (Therefore if your cedar chest’s serial number is 649010, it was built on January 9, 1946). 

Cedar Chest Before

Cedar Chest After

The inside bottom of the Lane brand cedar chest has a large inset dowel, with a screw that you can turn to release the cedar fragrance. Cedar chests are natural moth repellants, so they are much sought after for precious linens or vintage and antique quilts, to keep them free of these destructive pests and hole-free.

Not all cedar chests have a serial or date stamp on the bottom as there were many manufacturers of cedar chests across the country. Lane is a popular brand that offers a variety of styles and sizes.

Upon completion, this lovely Lane was once again in its original condition, showing off its many tones of wood with that easily recognizable cedar fragrance that we love and moths hate!

Finished Cedar Chest

Check out other cedar chests we have refinished by clicking on these links:
https://finalefurniture.blogspot.com/2019/11/solid-cedar-chest.html
https://finalefurniture.blogspot.com/2016/08/1948-lane-cedar-chest_22.html
https://finalefurniture.blogspot.com/2015/04/elegant-cedar-chest-revival.html
https://finalefurniture.blogspot.com/2013/12/1945-lane-waterfall-cedar-chest.html
https://finalefurniture.blogspot.com/2012/06/my-waterfall-cedar-chest.html

Updated Cricket Maple Rocking Chair

New Silk Fabric Replaced Original Corduroy

This is what is called a “cricket” rocker. The rocking mechanism is actually hidden underneath the seat and skirting of this cute little chair, allowing it to rock without moving the legs, as in a traditional rocking chair. I have done a chair similar to this one many years ago. It had the same rocking mechanism, but was a Windsor style chair with more exposed wood and no arm rest covers. You can see that chair here:
http://finalefurniture.blogspot.com/2012/09/the-ugly-rocking-chair.html

While similar to the other rocking chair, this one had many more components, thus required more work. But, since I had done a similar chair, I knew what to do on this one and in what order to work on each segment. As with the other checkered gingham chair, I began with the seat cushion. Like the gingham chair, it too had cording running along the top and bottom edges that curved around the shape of the foam. Luckily I was able to use the same foam for this chair. The fabric, a high-quality woven silk, required each raw edge to be serged so that they would not fray over time, causing the seams to split apart long before their time. This was an additional but necessary step.

fter I finished the seat cushion, I chose to work on the skirting and bottom part of the chair. I replaced the old, pushed in webbing with new upholstery webbing which is 3 inches wide and much stronger than the old rubbery plastic that was used. I attached the webbing with upholstery tacks (preferable to staples) and protected each raw edge with string tape. Once the webbing was done, I replaced the original webbing cover with another piece of the new fabric, with finished edges that were cut at angles in the corners to match the original.

I measured the two skirting sections, front and back, and cut two very long, continuous strips of fabric for each one. I measured each pleat to be 3 inches between pleats and it worked out to be the perfect amount to fit evenly from beginning to end for the front and again for the back. Remembering the difficulty I had attached the pleats in the other chair I had done, this time I stitched the pleats on the sewing machine, then carefully measured them against the chair before attaching them permanently.

After the skirting was complete, I made the arm rests, copying them from the original pattern as I did with the rest of the pieces and attaching them to the arms with two sets of Velcro straps so they don’t slide off. They were tricky because I cut the fabric to flow with the curve of each arm’s end. It looked much better having these arm covers fit the exact shape of the wood beneath.

The back cushion had its own challenges. The original cushion had four snaps that held it in place from the back of the chair. Anticipating the outcome, I made the new snap straps long enough to be adjusted when the time came to attach them. Prior to sewing the cushion front to back, I placed the straps where I thought they would go, pinned them in place, then sewed them to the back side of the cushion with long basting stitches. Once the cushion was done, I realized the straps didn’t quite reach the snaps, but no worries. I opened up the seams and pulled the straps further out to reach the snaps. Boy, was I glad I left additional fabric to reach the snaps once the cushion filled the fabric sides. (Experience really is the best teacher). Because the other chair also had snaps, I knew longer fabric would be necessary to make the new straps reach. (The other chair had three snaps on the top edge only, while this chair had two snaps on the top and two on the bottom).

Each cushion received a zipper in the back and bottom for easy removal if they require washing or dry cleaning. Making these type of seat cushions isn’t my favorite thing to do, but it is a great feeling to know that it is a skill I have developed with experience and a LOT of patience.

Waterfall Nightstand

Waterfall Nightstand Before

This adorable nightstand was the last piece of the waterfall collection of furniture which completed the bedroom set we refinished and restored. Unlike the art deco nightstand, this one was lightweight, with gorgeous woodgrain hiding beneath the watermarks and rings on the top and a few minor scratches on the sides. But it had great bones, so to do it justice, needed carefully detailed stripping. Because of the curved edge in the waterfall furniture style, refinishing is time consuming work, but well

Waterfall Nightstand After

worth it.

The grooves on the outer edges of this piece was where the old stain accumulated once stripper was applied so I used a wood carving tool and carefully scraped out all the extra gunk (that's what I call it!) This made it easier to sand and ultimately stain with the golden pecan stain I selected to match the other furniture in this set, which was a set of dressers a headboard and footboard.

This nightstand was my favorite piece because it was cute and tiny, thus easier to handle than the larger furniture items. I could pick it up and place it on my work table (saving my back in the process) so I could get a better look at the work that it required.

Waterfall Headboard and Footboard

Waterfall Headboard Before

Although getting the "before" photos of this headboard was a bit tricky because of where it was located at the time, it shows enough to see the wear and scratching that had happened over the many years of being used.

Waterfall Headboard After

This headboard matched the waterfall dressers and nightstand in this bedroom set with matching "V" shaped veneer in the center and decorative wood panels that were set in on each side. A rather large piece, this headboard required refinishing on both the inside and the outside to do it justice. It required many hours of stripping and then sanding, using various grits of sandpaper to best prepare the newly exposed surface for stain.

As in the other items of furniture, I close golden pecan stain to replicate the original color and bring out the luster and gleam of the wood beneath. The results were awesome! Furniture of this era is well worth preserving and holding onto because as they say, "they just don't make them like they used to!"

Waterfall Footboard Before

The footboard had the actual waterfall feature, the curved top, and required a lot more preparation than the headboard because it had water damage on the interior side and some broken veneer here and there. Using a hot, dry iron, I was able to heat up the original glue and flatten the lifted, curling veneer enough so that it lay flat.

For the rest of the veneer that didn't want to flatten out, I carefully applied wood glue through a wood syringe (which allows you to tuck the glue into small places), and used many clamps to secure the veneer until the next day, when I was able to remove them and proceed with the stripping and sanding. Using an iron is also how you would completely removed old, damaged veneer by keeping the iron on the wood and moving it slowly while you follow it with a sharp putty knife and lift the old veneer off. It works well, but requires patience and attention to detail.

Waterfall Footboard After

The footboard, like the dressers, took a long time to refinish, but it looked fabulous when it was done.

1948 Lane Cedar Chest

Cedar Chest Before

Cedar Chest After

I found this lovely Lane cedar chest at an estate sale on my way to the grocery store. It was the last day of the sale and everything was half off! I was thrilled that this cedar chest was still there after a few people had expressed interest in it, but never came back to buy it. It was as though it was saved just for me. It was exactly what I had been searching for since spring. I was determined to find one that I could afford since I still had to put work into it to make it pretty again. My patience had paid off!

Widdicomb Table

Widdicomb Table Before

Widdicomb Table After

This unique table was a special job I received shortly before Christmas. The client had extra tables he didn't need, but really wanted this one. Unfortunately it had been painted black, which covered up the gorgeous wood that lie beneath. He had started removing the paint, but didn't feel comfortable finishing it, so he called me. Of course I could take care of it!

He delivered it on a cold, snowy day. After he got it into the garage, I knew this table would be outstanding when it was done. I told him I'd have it done in a week, or possibly less. I got started sanding the table that afternoon and by the end of the day, it was ready for new stain. He wanted to go darker, so I suggested walnut. He loved the idea and agreed it would look good. While I applied the stain, I was amazed at how gorgeous the wood was. This table was made of solid oak, about 1-1/2" thick and had some weight to it. I applied two coats of semi-gloss polyurethane to protect the surface. The transformation was complete only a few days later, so I contacted my customer and assured him he would not recognize his table.

He picked it up the following Saturday and was astounded with the results. I mean, look at it! He was torn because his original plan was to eliminate some of the extra tables he had collected, but when he saw this one, he was undecided. Either way, he loved the way it tuned out. Ironically, later that evening, I received a text from him saying that if I wanted a good recommendation, he'd gladly give me one because he decided to sell the table on eBay and it sold only ten minutes after he listed it for $2,500!! I'd say it was the right choice. I love satisfied customers. It just makes my day!!

Widdicomb Table Before

Widdicomb Table After

Vintage Dresser Makeover

Dresser Before

Dresser After

I stumbled upon this treasure at an estate sale, hidden in the corner of an attic closet at the top of the stairs. Buried under old games and clothes, this dresser wasn't exactly shouting, "Here I am!" Nonetheless, I spied it and after removing the contents from the top, I knew I had to have it as I saw it as a challenge.

As a child, I remembered decals such as these which I used liberally on my own furniture, much to my mother's dismay. Once they were on, they were on for life, since the adhesive on the back was pretty sticky. I wasn't discouraged since I knew a bit of sanding and stripping would have this little gem in great shape, better than its previous condition.

The right edge of the bottom drawer was missing, so Jim spliced another section into it and then used his router to round the edge, matching it to the original drawers. The dresser was flimsy, so we "beefed" it up and strengthened the sides and bottom, then began the tedious process of stripping and sanding. Once bare, it was ready for primer and ultimately a clean, bright white coat of paint. I replaced the old drawer pulls with stylish knobs that I'd reclaimed from a previous project and painted them pale blue. Viola! The once-old, 1959's era dresser has a new look and a new life.

Check out this dresser: http://finalefurniture.blogspot.com/2015/04/old-painted-dresser-revival.html