Wednesday, November 18, 2020

Antique Mahogany Swivel Table

 

Swivel Table Before

Another beautiful swivel table! This antique was made of mahogany with brass accents. The lower portion of this table had a unique “harp” design with three brass prongs, that cleaned up real nice. The top was in rough shape and had seen years of use, including water damage likely from placing a planter directly not the wood. It’s always a good idea to have a planter with a tray or aluminum pie tin to eliminate water damage. 

Swivel Table After
This table was in need of stripping, sanding and new stain. We chose special walnut stain and three coats of semi-gloss polyurethane to ensure protection from everyday use. All the brass accents, feet, harp metal and two small knobs (not seen in photo) were cleaned and polished. Polishing the brass, truly accentuates the refinishing process. It also adds a special “bling” to any piece of furniture, much like the right jewelry does for an outfit.

This style of table is used for playing board games or cards, as it has a “secret” swivel compartment beneath the top that is accessible by rotating the table 90 degrees, then opening one side to reveal the compact area beneath, just large enough to hold note pads, decks of cards and paper goods. When not being used as a game table, it folds in half and can be pushed right up against a wall and used for decorative accents such as plants, lamps or collectibles. Now that it has been refinished, this table will likely be used for many card games and other fun activities.

Friday, November 6, 2020

Antique 19th Century Caned Chairs

Antique Chair After
 
Antique Chair Before

Here we go with more chairs! This time it was a set of four (4) chairs, all in need of TLC. These chairs dated back to the late 1800’s, so they were 19th century chairs that had seen a lot of use, therefore a lot of wear and tear, literally. 

Originally the chairs had caned seats, but over time they likely broke and someone decided to cover the seat with stamped leather, or rather, a leather-look-alike that seemed more like a heavy paper between layers of very thin leather. Broken and no longer able to seat a person, it was high time to remove the leather “fix” and replace it with the original woven caning. But first, the chairs all needed to be stripped, which for this type of chair is very time-consuming because (you guessed it), spindles. Yup, spindles are what takes a long time to strip because there are many of them and they are rounded, making them inaccessible from one angle, therefore it’s necessary to rotate the chair continuously while stripping. 

A chemical stripper was the best option for these (compared to a heat gun), because it melts away the old, worn finish and reveals the wood beneath. Once all the old finish is removed, the chairs are then cleaned up by using soft rags (usually old t-shirts, which are excellent for this) and wiping away the residue left by the stripper with lacquer thinner or acetone. This is a necessary step prior to sanding or your sandpaper will clog up with the residue, making it difficult to remove. 

Starting with 100 grit sandpaper, the chair is prepared to accept the next grit, 150, until the final sanding, which is done with 220 grit. Once all surfaces are sanded, the chair is wiped with lacquer thinner on a clean cloth, allowed to dry, then it is ready for stain. This entire process (for this type of chair) can take from several hours to a few days. Again, spindles are a lot of work, therefore more tedious and time-consuming than flat surface chairs. Once the stain is applied with either a soft cloth or a brush, or both, you wipe away the excess stain, then enjoy the amazing transformation from raw wood to beautifully restored, refinished wood. 

We used "special walnut" on these chairs. The new stain brought out all that gorgeous woodgrain, which had been hidden by years of oxidation that happens over time. Once the chairs had dried from staining (we allow 24-48 hours), the first coat of polyurethane was applied. For these chairs we used a water-based semi-gloss, durable and easy to clean up after. That first coat protects the stain and prepares the wood for the remaining two coats that finish the chair. It is necessary to lightly sand between each coat of poly with a high grit sandpaper to give it “tooth,” which makes just rough enough to accept the next layer of polyurethane. Once the third coat was applied, the chairs were done and ready for the last and final step, install the new caning. 

These chairs had “press-in” caning, cane that comes in pre-woven sheets and cut to size, then installed and kept in place with spline. It’s necessary to soak the cane and spline for at least an hour (or longer) so that it is pliable enough to work with, otherwise it cracks and breaks. Caning “wedges" are used to “press” the edge of the cane into the pre-cut 1/4” groove in the chair. The chairs had a closely woven cane originally, so we chose the same style to keep it original.

It’s necessary to choose the right size of spline, which is based on the width of the opening, so that it keeps the cane in place while completely filling the groove. If the cane is too loose, it will not keep the cane taut. It’s a tricky process because once you have pressed all the cane into the groove, you glue it slowly, allowing the glue to run into the groove, starting in the back of the chair. Once it is glued, you push the spline into place, tapping it with a hammer as you go. If the spline has been adequately soaked, it will bend easily around curves. If not, it can break, especially if those curves are tight. 

Luckily these chairs’ curves were fairly wide, so it wasn’t too difficult to bend them around the edge. Once you reach the back where you started, make a small pencil mark and cut the spline to match the starting point at an angle and tap it with a hammer in place. After all the spline is installed around the entire seat, hammer the spline so that it is level with the top of the chair. There will be caning strands popping out that were left over from the placement after the spline is installed, so they must be trimmed off. I use a sharp chisel and snap them away by tapping on a hammer close to the spline, which removes the excess. You can also use snippers. This completes the caning process. Allow the cane to dry at least 24-48 hours before you sit on the chair.

Wednesday, November 4, 2020

Caned Bentwood Rocking Chair

Rocker Before
Seat Broken

 
Rocker After
Seat Repaired
This is one of several rocking chairs I have worked on over the course of my furniture restoration/refinishing jobs that involved caning. This one is almost identical to the Bentwood Rocker I worked on last year, except that this one only needed the seat replaced and was not refinished. I only glued the arms as they were a bit loose, other than that I only repaired the broken seat with new cane.

This was by far my fastest caning job yet. It’s true that the more you do something, the better you get. Caning is a lost art, a true art form that takes time, patience and practice. I found the first few jobs I did I thought “this is impossible!” and didn’t think I would ever enjoy it, but with each job they process became clearer and I found myself really enjoying the caning and learning so much about the work as much as myself. I found that I really enjoy a challenge and mastering it. 

I'm by no means an expert (yet) but I do feel my skill level has increased dramatically with each job I’ve done. Seats are easier than the back as they are smaller and have less distance between the front and back, or left to right as the case may be. Although curved seats are much more challenging, they’re not too bad. The most difficult part of caning is around the arms, since it’s quite congested there and harder to pull the cane through those tight holes. 

It is vital that each and every pre-drilled hole is completely free of the old cane, as this can affect the process of pulling the new cane through them. The best way to do this right is to prepare each chair well and you’ll be in good shape. I personally do not like staining or painting caning as I feel it can damage the natural fibers over time and break them down much faster than letting them age naturally. This chair required a 2.75mm cane, which is considered medium, and a bit thicker and stronger than the 2.0mm I used most recently. It is easier to work on the binding as it pushes through all the previously caned holes with ease. My small needle-nose pliers work well to assist with this and the small awl is a necessary tool to pull the cane through from bottom to top. I’m satisfied with the results and more importantly, so was my customer.

Check out the previous similar Bentwood rocking I caned last year by clicking on this link:

http://finalefurniture.blogspot.com/2019/09/maple-rocking-chair-refinished-with-new.html