Dad's Old Desk Fixed and Cleaned Up

Desk After

Desk Before

My customer's father had owned this desk many years ago and during cleaning out his mother's home after she had passed away. He had wanted this desk restored in memory of his father and keep the desk in the family. The desk had a broken lower drawer, which Jim repaired, otherwise the desk was in pretty good condition. 

Jim removed the hardware then proceeded to strip, sand and re-stain the desk using walnut stain. He applied three coats of satin polyurethane which finished the surface nicely. The handles got a great polish and the desk was once again beautiful. A perfect size desk for anyone's use.

Grandfather’s Chair Refinished and Reupholstered

Rocking Chair After

 

Rocking Chair Before

This was a very old rocking chair that belonged to my customer’s grandfather. It had plenty of use and had seen better days, so it was in need of some TLC. The right arm had broken off the spindle and needed to be glued back into place prior to any refinishing work being done. 

She had wanted to keep the same color, so we decided to go with traditional walnut, which brought out the beauty of the solid oak wood, refreshing the overall look and making it once again a beautiful piece of furniture.

Like most old rocking chairs, this one had a very badly worn seat which had the original horsehair stuffing and some very unusable other materials. The dust was enough to make me sneeze! My customer had chosen a fabric similar in color to the original, which was a lovely dark olive velour, to keep the original look and feel of the chair. Jim was kind enough to remove the old fabric, since I was still recovering from my stomach surgery and he took plenty of photos for reference. I have found taking photos to be an essential part of reupholstery disassembly, because you need to know how it was put together, before you take it apart and reassemble it properly, and photos are a great way to accomplish this.

The springs on this seat were installed from the bottom side, downward. I have worked on a few chairs like this and always wondered the reason for this type of installation of springs. For a chair to be comfortable, you have to have a “crown,” which is a curved top so that the springs are underneath you, covered by layers of various materials so you don’t feel the springs. Installed from the underside of the seat seems backward and puts more stress on the springs, since they can’t really support you properly. Since I have been doing reupholstery, I have learned the proper way to attach webbing to the underside of the chair and hand-stitch each spring to the webbing using a curved needle, then using the 8-way tie  to keep the springs tight, creating the “crown” chairs should have for support. 

After the springs are tied up and in securely in place, they get covered with upholstery burlap. This is the first layer to cover the springs. Since this chair had only five springs, I built-up the in-between spring area with a bit of raw cotton to keep everything level and soft. Next I covered the springs with a one inch layer of foam, which gets stapled to the chair’s seat edges, covering the springs. On top of the foam, I covered everything with a 1” layer of Dacron. This is a more dense material and really does a great job of covering the springs so you don’t feel them at all. My last covering was a high-quality layer of muslin. This keeps everything neat and makes it easier to attach the fabric, the last step in the process.

This chair originally had tacks along the bottom edge, but they weren’t the correct upholstery tacks. Someone used regular tacks that you’d use on a bulletin board, which are not adequate for chair use. I used brass upholstery tacks on the folded underside edge of the material so it will not fray. My final step for the fabric was to finish it with a double-cording on the chair’s arms and back spindles. This adds a nice finishing touch and secures the edges of the material.

The last step of the process is to cover the underside of the chair with chambray to cover the webbing and keep the dust out. It is also referred to as the dust cover on chairs and couches. This finishes off the chair and looks great.

Below I have a few photos of the springs’ underside tying and correct 8-way tying so you can see how much better it looks. I’m not really sure what the reason is to do it the underside way, but the way I’ve been self-taught is to use the 8-way tie on the topside of the chair.

Underseat tying,
incorrect way

        

8-way tie
correct way

Updated 1980’s Dining Room Set

Dining Chair After

Dining Chair Before

A simple, yet functional dining room set made well never goes out of style, but the fabric sure does. My customer had wanted an updated look for her 1980’s style dining set and decided to go lighter. Sometimes this isn’t possible, depending on the wood, but in this case it was achievable. 

The four chairs all had rollers, which had to be removed prior to stripping. Once Jim had stripped everything, chairs and table alike, he began carefully sanding all surfaces and applied the new stain, golden pecan. This gave it a perfectly suitable color for the customer, lighter and updated. 

Originally she had not wanted to replace the fabric (based on budget) but once the staining and finishing was done, I thought I’d suggest she splurge and get the fabric updated as well and because I had given her a great price she agreed. I provided her with resources for the fabric and she chose a gorgeous Hillary Farr Design with an aqua chevron nap. It was the perfect accompaniment for the newly stained lighter wood. Had she not chosen new fabric, the old fabric would have been okay, but without the feel and touch of fresh new fabric. I probably would have chosen the same fabric since I am a fan of that color!

Dining Set After

Dining Set Before

The table had some damage due to her husband’s wheel chair, which Jim was able to sand out and make invisible. Magic happens when you sand furniture. You remove the old and expose the beauty buried beneath the years and grime. The table was solid wood, always a great thing to work on. 

When they say, “They just don’t make ‘em like they used to,” furniture would be a prime example of the truth of that statement. Not to say you can’t get that same quality, but the cost is much higher by comparison. But if you have that special piece of furniture that belonged to a grandparent or great-grandparent many times over, you  have a priceless piece of history that is worth keeping and definitely worth restoring.

1940s Bedroom Refinishing Project

Low Dresser After

Low Dresser Before

This was one of several pieces of a 1940s vintage bedroom set which Jim recently refinished. It had seen some wear because it had been used for a few generations and needed some revitalizing and love. 

We were excited to take on this project which had two dressers as seen in this post. This bedroom set also had a mirror, bed with headboard and footboard and side rails (not pictured). It’s difficult to get photos of the items when they are delivered in sections. This furniture was in pretty good condition, had great bones, but the exterior had seen some wear and scratching, not uncommon for a vintage bedroom set. Luckily there was no structural or water damage which can be harder to rectify. 

Jim had blended two different stains to obtain a unique color that best suited the furniture. It turned out to be a perfect color for the dressers, resulting in a rich tone which best shows the woodgrain which was hidden prior to the refinishing. That’s one of the many perks of working with stains; custom blending which results in a unique color. It’s quite noticeable in the tall dresser (below) what a variation in color can be in the “before” photo. When furniture is made in a factory, the staining process is quite different from refinishing by hand. They use a spray stain that has a different look, more opaque so the woodgrain is not as visible as it is once it is stripped and refinished. One of the benefits of the hand stripping/refinishing process is that it exposes the natural beauty of the wood.

The scratches on the tops of the dressers were superficial, so they were easily sanded down once the dressers were stripped. Dressers require a great deal of work because each drawer is an individual section that requires removal of hardware and is treated one at a time while stripping, sanding and staining before finishing with polyurethane to protect the finishes. The low dresser (as seen in photos above) had six drawers with general depths. These older dresser have much more space than their newer counterparts and are made very well, so they are usually worth refinishing. It truly is an investment worth doing to preserve a piece of your family’s history.

Tall Dresser After

Tall Dresser Before

The taller dresser (shown left) had four large drawers and two smaller ones at the top. The oval hardware was original in the Federal style. Some customers prefer the original hardware and others like to give their furniture an updated look and replace it, but either way, refinishing a bedroom set is always worth doing because you already have made the investment in the furniture, so why not keep it for generations to come? It’s a wonderful way to honor your family’s history. 

Dainty Fluted Chair Reupholstered and Refinished

Armchair Before

This dainty fluted chair, a ladie's chair, was in desperate need of updating and 
love. The fabric was stained and worn, with evidence of a cat who likely used the back to sharpen her nails. Needless to say this chair had seen better days. 

Armchair After

At a glance, the structure looked okay, but after I picked up the chair, the right side collapsed and was wobbly. Clearly there was internal damage to the frame. Once I began removing the fabric, I located the source of the damage. 

The far right support board was cracked and had come apart from the arm. This board needed to be reattached with glue and a single screw. The top curved board was cracked in the center; the inner right board had broken off at the top. Repairs included making a new dowel and reattaching the inner support board and gluing, then screwing the outer side board back in place to make it structurally sound. *(See photo below to see where the chair was broken and repaired).

Once the repairs were made and the structure strong again, the legs were stripped, sanded and restrained then protected with polyurethane. After Jim had worked his magic, it was my turn to tackle the exterior upholstery. 

This chair had zig-zag springs which were in great condition, so they didn’t need to be tightened or replaced. The first step was to cover the springs with burlap, which was stapled to the top edge of the seat. Burlap keeps the springs secure, while providing a good foundation for the layers that follow. After the burlap was secure, I added a 1” thick section of high density foam which covered the entirespring/burlap seating area. A few staples held the foam in place. 

Next, raw cotton was liberally layered on top of the foam, creating a nice “crown” for the chair’s seat. The raw cotton can be purchased per yard, or per a 10 yard bulk, which is the preferred method as it is less costly per yard. The final layer was a 1/4” foam, which was also stapled to keep it secure. I always give it the “sit” test, which is when I sit on the chair and test its softness and support. You shouldn’t feel the springs when sitting on a chair. If you feel springs, there’s not enough padding. I was satisfied with the thickness of the padding, so I cut the fabric for the seat and made the “V” cuts carefully around the arms and legs for a perfect fit. 

This was my first fluted back chair, so I researched how to create the “flutes,” or “channels.” However, before I could get to the fluted portion of the chair, I had to pad the arms and create new fabric panels for the sides. Using raw cotton and foam, I made sure both arms would be soft as well as supportive enough for the new fabric. I chose not to use the old fabric as templates. Instead, I made my own templates from muslin. This allowed me to customize the arms and create a “partial sewn” arm instead of just folding fabric and stapling in place. The fit was perfect. 

I can’t say enough about making an accurate template for upholstery work! It is an essential part of getting that perfect fit. And with plenty of muslin at my disposal, I was able to create accurately measured templates for each arm, then sew them together to test them before I cut the fabric. Templates can save a lot of time and fabric and ensure accuracy and a proper fit. Measuring is also essential. The more accurate the measurements, the better turnout. 

For the flutes, or channels, I used the original fabric as templates. I took apart the original fluting, separating them into individual units. (I like to iron the old fabric. This flattening makes it easier when cutting the new fabric). 

Once the flattened templates are laid on the new fabric, it’s necessary to allow a few inches to the top and bottom lengths, so there is enough material to pull underneath the seat and over the chair's frame. The individual units are then sewn together. Once they are attached, they are sewn to the backing fabric on lines you have created by measuring the original fabric. The lines on the backing fabric must be narrower than the flutes to create enough space for the fiber fill or cotton. My channels measured 5-1/2”, so I drew lines that measured 4-1/2”. 

Prior to attaching the flutes, I made marks on the top rail of the chair to line up the fabric to keep it centered. The last fabric panel I attached was the back. After it stapled to the frame, I created the double cording, or piping. This is used to cover the staples and add a customized look to the chair. 

The fabric I used for this project was burgundy, with a diamond motif, that I had used last year to reupholster a bench. My customer saw this fabric on the blog and loved it, so she wanted it for her chair. Luckily I was able to get the same fabric! It’s one of my personal favorites. You can view that bench by clicking on this link: http://finalefurniture.blogspot.com/2021/11/antique-bench-trash-to-treasure.html

This chair was a true challenge, but with each project, I learn and advance my upholstery and sewing skills, which I truly enjoy.

View of repairs 

*As pictured on the left, you can see the areas where the chair was damaged and needed repair. This needed to be done prior to the leg refinishing and upholstery.

Antique Solid Cedar Chest Refinished

Cedar Chest After

Cedar Chest Before

This is one of many cedar chests we have refinished, but it is the third one that was solid cedar; it had no veneer on the exterior. It was in pretty good condition with just a few minor scratches on the top left side in the back. Because it was solid cedar, those scratches were easily sanded away, bringing out the natural beauty and scent of the wood. 

My customer had used it as a coffee table with a glass top, so it will be protected and serve a dual purpose for many years. Cedar chests are one of my favorite furniture items because they are so versatile. In addition to storing linens, they make great toy boxes, a place to hide Christmas presents from snooping children and a great place to store seasonal clothing because of their natural moth repelling fragrant interiors. There’s nothing quite like the smell of a cedar chest. The cedar tree is one of many nature’s beautiful contributions to a family’s needs in the form of storage, seating and beauty. 

In addition to their versatile properties, cedar chests come in various shapes, sizes and styles. The waterfall cedar chest is very common with its curved front top and heavy lid. Many of these cedar chests were built in the 1940’s, used for linens and towels. Some cedar chests have legs with drawers, in addition to the lid-top storage interior. My personal cedar chest has a built-in shelf that is a perfect place to keep smaller items like my husband’s ties, socks and table runners. I love it for storing my quilts and extra sheets. If you don’t have a cedar chest, you may find one at an estate sale or at an antique store. If they need to be restored, you may get it for under $100.00. The best deal I got on my first cedar chest which was a 1945 waterfall style, was $5.00 at an estate sale. I doubt I’ll ever find one that cheap again!

You can see the other cedar chests we’ve refinished by clicking on these links:

https://finalefurniture.blogspot.com/2019/11/solid-cedar-chest.html
https://finalefurniture.blogspot.com/2016/08/1948-lane-cedar-chest_22.html
https://finalefurniture.blogspot.com/2015/04/elegant-cedar-chest-revival.html
https://finalefurniture.blogspot.com/2013/12/1945-lane-waterfall-cedar-chest.html
https://finalefurniture.blogspot.com/2012/06/my-waterfall-cedar-chest.html

Antique Buffet Rescued and Refinished

Buffet Before Refinishing

This antique buffet had been stored in someone’s garage for many years before we got it. My customer had gotten it from one of her students (she’s a music teacher) in exchange for music lessons. Who knows how long it had been stored in a garage, but it was evident it had taken on some deterioration as a result  of being stored outdoors. 

Buffet After Refinishing

The top veneer was in bad shape, some of it peeling up. We were unable to remove it, so we stripped and sanded it prior to adding stain and polyurethane (3 layers) to protect it from further deterioration.

Portions of the decorative wood pieces had broken off such as the second drawer front center which is a continuation of the design on the top drawer. The far left spindle was also broken off. Luckily they had the piece and Jim was able to reattach it, but there was still another section of this piece missing completely which he had to create and make it fit in the open space. It’s difficult to create a piece that is missing entirely because you can’t measure it against anything.

The first step in the restoration process requires removing all the hardware, drawers, doors and pieces that are easily taken off the piece, such as the top. By removing these sections, it’s easier to work on them as you can reach more areas to strip, sand and stain before re-assembling it. Jim removed the decorative center on the back top as well as the top which he sanded separately, then reattached when completed. He had to create the missing spindle and glue those pieces back into place. The broken drawer sections were re-glued back on. 

This buffet had a “hidden” secret drawer which was the third and bottom drawer that forms the bottom decorative edge. Jim replaced the bottom portion of that drawer because it had a felt lined bottom that was difficult to open and close so he removed and replace it. It was common to store silverware in these drawers and they were frequently lined with felt which is a deterrent for discoloration of silver. The last step for any project such as this one is cleaning and polishing the hardware. This adds that special final touch that really completes the restoration process.

Vintage 1961 Lane Guitar Pick Table

 

Guitar Pick Table Before Stripping

Guitar Pick Table After Stripping

This is a vintage, 1961 Lane Guitar Pick table, well known for its unique shape which resembles a guitar pick (or Ouija board planchette) depending on how you look at it. My customer had found it on the side of the road. 

Someone had decided it was a good idea to spray paint it black. Perhaps it had belonged to someone’s grandmother and when they acquired it, they wanted a “modern” look, not realizing that it was already a mid-century classic without the need for paint. Luckily someone rescued it from the garbage truck and saw the beauty of this table. 

Whomever had dumped this beauty, clearly did not know what they had thrown own or its value. After we had researched this table, we found they were selling on eBay for between $1600-$1700. 

Like Lane cedar chests, you can tell the age of the piece by looking at the serial number (usually found on the bottom) and backward, it tells you the date the furniture was made. This table’s serial number was 610250, which translates to May 20, 1961. This little tidbit of information is fun to know when browsing estate sales or resale shops while looking for or at Lane furniture.

The unique two-tone, notched top characteristic was still visible, despite the paint. Luckily its tell-tale markings could still be seen beneath the thin layer of black spray paint. This table needed plenty of stripping and sanding to reveal the beautiful wood covered by the paint. Once that was removed, it revealed the beauty hidden for so many years. The two-tone wood was a perfect complement to the original cut and style of this table, making it a masterpiece for many years to come.

Grandmother’s Antique Chair Gets New Upholstery

 

Antique Chair Before

Antique Chair After

This was an antique chair had a lovely harp design on the back also had a heart-warming history. This chair was my customer’s husband’s grandmother’s chair and was given to the couple as a wedding present. Although grandma passed away twenty-seven years ago, the chair had been kept by family members and had been well cared for. The chair had come to us refinished, but needed new fabric, as well as spring tightening. 

The previous upholsterer used inadequate material on the springs as you could see them right through the seat fabric. When I sat on the the chair, I felt as though I would fall right through, that’s how bad it was. Everything was so thin, the springs popped right through, so I got to work and stripped it all off. Once I removed the old fabric, was what revealed was; the springs had been covered with a thin layer of shabby white fabric a rusty ring outlining each spring beneath. Next was a thin layer of raw cotton and a super thin layer of foam. That was it! The common denominator was “thin.” 

After I removed all the fabric, thin foam and the rest, I removed the springs. There were only four strips of webbing beneath the springs, which was inadequate. I replaced them with six strips of webbing, which I criss-crossed, making the webbing tight which lends proper support for the springs and a much better feel for the chair’s seat. 

The springs were pretty rusty and greasy, so I used my grinder’s brass wheel and cleaned and polished each spring, removing the grime and rust, revealing the nice metal beneath. It made them easier to work with and of course, much nicer looking. Evening though nobody will see these newly cleaned springs, I knew they were clean and that made me happy. Having the right tools for this type of work is essential! This spring cleaning step was not necessary, but a good idea to clean the interior parts of the chair. Plus, it gives me a feeling of doing it right.

Once the springs were cleaned, I hand sewed each one into place with strong waxed upholstery thread. Each spring was marked with a black sharpie, 2 inches away from the chair’s inner frame. This is a very important step, keeping the springs in line with each other for equal support. Once this is complete, the springs receive an eight-way tie. You start with the horizontal rows and tie each spring together, secured to the chair’s frame with staples (or nails) depending on the condition of the wood. If the wood is damaged from too many nails from previous reupholstering, staples are preferable. They are my personal favorite as I feel they are much faster and easier to use. Repeat the process with vertical ties, again securing each row, looping the string around each spring to keep them tight and the same height. Once the horizontal and verticals are secured, you repeat the process, now from corner to corner, in the shape of an “X” until you have eight strings overlapping one another. I added a couple more rows on the edges of the outer springs for extra strength. 

The next step is securing all the freshly tied springs with a layer of burlap, secured with staples to the edge of the chair’s frame. After the burlap, I added a 1” layer of high density foam, a thick layer of raw cotton batting, a thick layer of dacron and a layer of batting. I finished this with a layer of muslin to keep it all in place before I finished it with the fabric. After sitting on the newly finished seat, I no longer felt the springs, a good indication of a properly layered seat.

This chair was finished with decorative trim, or gimp, which was used to cover the staples that secured the fabric to the top of the chair. The back of the chair also needed to be reupholstered. The previous upholsterer used no webbing for the back, so I added a couple of strips for extra support and strength. Then I added a thin layer of closed cell foam and batting, which was appropriate for the back of the chair (unlike the seat, the needs a lot more layers of multiple materials so you don’t feel the springs.) Again, I used gimp trim to cover the staples which finished it off nicely. The gimp complemented the fabric, adding a decorative, finished look to the chair.

Check out the photos below to see the before and after springs and you can see the way an 8-way tie is properly done with chairs that have springs.

Chair Before Proper
Spring Tying and Less Webbing

Chair After Proper Spring
Tying and Six Strips of Webbing

Antique Cabinet/Secretary Revival

Cabinet After

Cabinet Before

This was an antique glass cabinet/secretary which had damage on the bottom curved section due to a dog chewing on it. Replacing wood from pet damage can be difficult since it involves putting something there that is missing. This area was uniquely difficult because of its location, right in the front and to make matters  more complicated, on a curve parallel to the curved glass door. 

There was also a piece of wood missing along the top in the back which Jim replaced with a matching piece of oak that looked like it had belonged there and was a great addition.

The rest of the piece was in pretty good condition but needed full stripping and refinishing. This piece had some lovely original features including detailed wood carving on the drop-down desk area right below the leaded glass panel which was a separate place to store knick-knacks. Three storage drawers were right below the desk area, a nice place to keep stationary and other desk items. 

Interior of  Desk Area

Jim had to remove the door, drawers, leaded glass panel and drop-down area to be able to access the interior and properly strip the interior. The shelves weren’t included in the “before” photo, but they were later added  in the “after” photo. Jim had to recreate the missing wood section where the dog chew damage was, no easy task, but somehow he created another piece of oak and formed it to follow the curve of the original radius so that it looked natural as if it had been there all along. 

Working with antiques are never cut and dry as each piece is unique and requires a lot of thought, time and improvisation. We always try to maintain the original integrity of the antique and the end result shows the time and dedication we put into every piece. This one is a great example of the process of refinishing as well as innovation mixed in with creativity and a great deal of time commitment. 

Mid-Century Chair Stripped / New Needlepoint Seat

Mid-Century Chair
w/Needlepoint After

 

Mid-century chair
before refinishing

It’s amazing how styles from the past tend to pop up fifty or sixty years later, as if the idea is brand new. This mid-century modern chair is classical 1960’s style, wide, low back and clean lines which were commonly seen in living rooms across America which mimicked the Scandinavian style. I loved the lines of this chair. 

This chair was extremely well made, quite strong and needed no tightening or repairs. The back had a few missing veneer pieces, which were easily filled in and stained so that it was hardly visible. 

I made the choice to completely strip this chair instead of touch-up because I felt that this is what it needed. In order to be true to the piece, you must determine what’s the best course of action to make it look the best it can. In this case, I stripped off the old finish, luckily wasn’t too difficult to remove as old stain mostly is. It came off easily and once that was done, I thoroughly sanded it, removing the excess stain and stripped. I cleaned it with lacquer thinner and sanded it smooth. 

I was very happy with the way the chair turned out. The light cherry stain was definitely the perfect color to offset the dark color of the needlepoint. A nice foam padding finished off the seat so that the chair is as comfortable as it is pretty.

I chose cherry stain to keep the color light which I felt complimented the lovely needlepoint seat that my customer made just for this seat. This was the third seat such as this that I had made for this same customer. The other two were benches. She is making a needlepoint seat for each of her grandchildren. She makes the needlepoint then finds the chair or bench which is the right size for the needlepoint. So far she’s been pretty lucky! 

To see one the previous needlepoint benches I made for this customer, check out the link below. Unfortunately, I don’t have a photo of the other one, but it had a blue background with a black bench.

https://www.blogger.com/blog/post/edit/5936537173467203420/24816612440806533 

1940’s Night Stand Restoration/Revival

Night Stand After

 

Night Stand Before

Some furniture has a lot more wear than others, therefore those most used could be in dire need of restoration and refinishing. Such is the case with this 1940’s night stand. It was made of solid mahogany, no veneer, which is a sign of a well-made piece of furniture. 

Most of the furniture we refinish has veneer. Sometimes it’s in great condition, other times it can be chipped a little bit or in major need of replacement. Not having veneer made this night stand much better to work on. It had definitely seen lots of use, especially the top, which was worn and scratched. 

It looked like someone tried to remove the finish on the left side of the top at some point in time, but never followed through with the rest of it. Not uncommon for someone to begin the stripping process and stop before getting too far into it once they realize that it’s a lot more difficult than they had originally planned. Using the right stripper is only part of the refinishing process. We always say, “if it doesn’t burn your skin, it’s not strong enough.” That sounds crazy, but it’s true. A good stripper is an essential part of furniture refinishing and restoration as it’s the first step before anything else can be done. 

Night Stand Drawer After

Night Stand Drawer Before

This night stand took me four days to strip from start to finish. Although the legs were Queen Anne style instead of spindles, they were still challenging to strip because they are curved. 

The tools we use to strip are straight, such as a putty knife and carving tools, so stripping a curved part of furniture takes a longer time than a straight section. And of course all the old finish must be removed or it’s impossible to sand and stain it. It’s all part of the process. The better the prep, the better the results. 

For this little gem, I custom-mixed red mahogany stain with a bit of English chestnut to give it a rich, natural color that was true to the original color. One of the fun things of refinishing/staining, is mixing two or three stains to create a completely new, unique color. Using your creative license is encouraged when working with stain colors. I chose a semi-gloss polyurethane to protect the stain. The drawer pull was pretty dull, so it got polished and painted with gold spray paint. The original pull was not brass, just metal, so painting it gold was a better look for the drawer. For a bit of whimsy, I painted the drawer’s interior and put a piece of glitter drawer liner on the bottom for a bit of “bling.” I was happy with the results as the refinished night stand was once again restored to its former glory.

His and Hers Twin Rocking Chairs

 

Rockers Before Restoration

Rockers After Restoration

Twin chairs! This was definitely a first for us, having two identical rocking chairs to refinish at the same time. The most surprising feature of these chairs was the size. Each chair weighed in at 60-70 lbs., possibly more. This required both of us to unload them from the customer’s van and bring them into our work space. 

Having chairs such as these as heavy as they were, made working on them quite challenging. They were not only heavy, they were huge! We have a large rocking chair in our living room with a similar style, but ours isn’t nearly as heavy as these were, nor is it as tall as these were.

The keyhole cutout design in the back center of each chair was a unique feature that gave them personality, adding a nice detail. The front of the chairs’ seat had a very rounded and thickness that I could hardly wrap my hand around. Yes, definitely massive. One of the chairs had suffered dog chew damage on the lower right leg spindle. The chairs had been repaired by someone else for the damage prior to us doing the refinishing. 

The chairs were both fairly worn and really cried out to be stripped, sanded and stained. This process was very time-consuming due to the sheer size of these mammoths and the detail, mainly the spindles, which if you’ve read other articles in our blog you know that they require a great deal of time and attention to remove all that old finish. We use work carving tools which allow us to get into the nitty-gritty of the spindles’ curves and tight spot. You’d be surprised at how much stain there is on any item of furniture even though it may look worn. There’s still a lot to remove. And that takes time. There’s simply no getting around that part of this work.

When the chairs were all stripped and sanded, Jim used English Chestnut stain, followed by three coats of polyurethane which will protect them for years to come. Refinishing really shows off the gorgeous woodgrain that was unseen prior to refinishing. That’s the beauty of a full refinish. You can see the woodgrain that is normally not as visible when furniture comes from the factory. Their process is different from hand finishing, therefore has a different look. 

If you've ever wondered if that special piece of furniture you’ve held onto for many years because you don’t know if it’s worth restoring, take a look at the wood. More times than not, once it is stripped, it is better than new because the hand stripping process restores it to its original beauty that was likely not seen when done on the assembly line. The value is already there so refinishing is always worth it. Unless a piece really is made cheaply and has no sentimental value, having it restored/refinished is a great way to preserve a piece of your family’s history or create a new family heirloom for future generations.

Mahogany Buffet Refinished

Buffet Before

Buffet After

One of my personal favorite refinishing woods is mahogany. Being a darker wood with a natural reddish tone, when refinished the woodgrain is more apparent, making it look fabulous. When furniture comes out of a manufacturing plant, much of it hides the natural grain of the wood. Unlike refinishing, furniture right from the factory woodgrain isn’t as prominent as it is upon stripping.

This buffet was a good, sturdy piece that had seen some wear, but overall was in great shape. There were minor scratches on the top, a few on the front legs and sides, but nothing that stripping and sanding can’t remove. Surface scratches are almost always removed when sanding, however, if the scratch is a gouge, sanding can only do so much. Especially with veneer furniture. If you sand too deeply, you will remove the veneer and go too far into the wood beneath (big problem!) That’s why we love working with antiques; the wood, even if it has veneer, is thicker and much more durable, thus better to work with on the refinishing end. 

That being said, the finishing product looks fabulous. Once it was stained and protected with satin polyurethane, Jim polished the original hardware, a Federal Style, and once again the piece looked like new (if not better!) I love the way hardware makes a piece truly stand out. Over time the brass will oxidize, faded and dull. But polished, it shines and adds beauty and freshness to any piece of furniture.

The beauty of working with a piece such as this mahogany buffet is that you have so many color choices with stain. Our customer chose “Carrington,” by Varithane. It’s a rich, warm color with no overly red tones. Mahogany can accept most stains, but seldom can you go a lot lighter with it because the wood is naturally reddish and darker, like walnut. A good tip to keep in mind when choosing stain is the wood itself. 

Darker woods usually cannot go much lighter than their natural color, but lighter wood, such as maple, birch or pine can accept both light and dark colors of stain. An example is if you were to put the same color stain on five different types of wood, each one would look different. Some wood has more grain than other wood, such as oak compared to birch. There are also different types of the same wood; tiger oak, tiger maple, birds eye maple, and so many more. The choices are endless as are the stain colors, so it’s not difficult to narrow down which stain is the right one for you.

Luckily we have plenty of experience in choosing the right stain for your project (unless you are 100% sure what you want). But no matter, the finished furniture item will always be the one you love the most.

Antique Bench Trash To Treasure Showpiece

Antique Loveseat After

Antique Loveseat Before

Everyone has heard the term “One man’s trash is another man’s treasure.” This is one example of it. Our customer had told us his wife had found this bench on the side of the road. Evidently someone had tossed it out, with the trash. Luckily she saw the beauty hidden beneath a century of grime, dirt and stains. It had been in his workshop for a while so he decided to surprise her for Christmas and get it refinished.

This loveseat had a strong structure. Nothing was broken, just old and stained out fabric. This was going to be a challenge both of us would welcome. Little did we know just how gorgeous the wood beneath would become and present us with a showpiece.

After Jim removed the old fabric and springs, he began the tedious task of stripping the old finish. He discovered that this bench had never been re-upholstered, all was original, hence the stains and saggy seat. The underside of the bench had a vertical support board in the center on which a spring was mounted that was much higher than the other springs. This caused it to lift up past the rest of the springs. More likely the case was that the spring that was installed was a bit too large for that area and a smaller spring should have been used since it would have a different tension than the springs which were attached to the webbing. This wouldn’t be a problem because my plan was to use webbing with foam and cotton batting instead of springs. 

Jim was rather unsure of how the wood would accept the stain once he had the old finish completely stripped and sanded. He discovered the wood was quite “splotchy” and he thought it would maintain that look after it was stained. I realized that I’d seen this before, this type of reddish splotchy look in a couple of chairs I’d done before. They were made of bloodwood, which has this type of appearance. Bloodwood can be found in southern Africa. It is very unique because once the tree is cut, it “bleeds” with a reddish sap. This tree has medicinal qualities that can be used for healing. If you’d like to read more about bloodwood, check out this link: https://www.amusingplanet.com/2014/05/the-bloodwood-tree.html

We mixed two stains to create the perfect mix for this bench and wow! The color was perfect for the look we’d envisioned! The splotchy appearance was no longer visible. The stain flowed and covered the wood beautifully and we were very happy with the results. After Jim worked his magic with the stain and polyurethane, I could work mine. We chose the perfect fabric, a lovely gold threaded diamond pattern on a burgundy background. This is traditional fabric which we both agreed would be perfect for our customer’s décor. I used time and true upholstery techniques and lined the bottom with new webbing. (My pneumatic stapler is my favorite new tool!) 

Once the webbing was in place, I secured burlap over the top to strengthen the seat and maintain the tension. I had a 2” section of high density foam which was cut to size and placed on top of the burlap. Followed by Dacron, which was securely stapled around the perimeter. This added thickness and a firm seat. This was followed up with layered poly batting, creating a “crown” so the center of the bench curved with nice, rounded lines. Once everything was secured, I was able to install the beautiful fabric. We we right, it worked great. The last and final step was stapling the dust cover to the bottom to cover the webbing and finish off the bench. 

This was truly a gorgeous piece of furniture. And to think, someone tossed it out with the trash. Now it’ll become someones treasure for another century. Long after I’m gone, this bench will be gracing the home of future generations. I’m thrilled to be a part of it! This was definitely one of our favorites, a showpiece.

To see the other bloodwood furniture, check out this link: http://finalefurniture.blogspot.com/search?q=bloodwood+chair

Amish Oak Table and Chairs Painted and Stained

Dining Table Before
(without leaves)

 

Dining Table and Chairs
Painted w/Stained Top

This lovely oak table came with two leaves and six chairs. Our customer had wanted a different, updated look so we suggested painting combined with keeping the table top woodgrain, but staining it little darker. 

They had originally envisioned an antique white, but after reviewing their décor choices, settled on latté, which is exactly as it sounds, a coffee color with a generous amount of cream added for that perfect flavor, or in this case, color combination. 

Prepping furniture for paint, especially chairs, takes patience and time. Mainly because it is all done by hand. You can’t use a power sander for chairs (except minimally) and spend hours scuffing up all the surface area to prepare it for first primer then two coats of paint. You also can’t skimp on the prep work as it directly effects the outcome of the project. 

We stripped and stained the table top, which had minor scratches, a rich, dark walnut to bring out the beautiful wood tones. The table’s pedestal base was painted to match the chairs, all done in latté. While some people simply do not like to paint furniture, there are times when painting is a nice choice. But by no means are you limited to using only paint. The combination of using paint and stain marries two distinct styles into a well-blended upgrade to outdated furniture without sacrificing the original integrity. 

The chairs, having many spindles, take a great deal of time to prep for painting. Chairs, period, are one the most time-consuming of all furniture projects, because there's so much surface area on a chair. Plus, the more detail (hence, spindles), the longer it takes to prep them. It’s also why chairs can be costly to refinish (or paint). All those surfaces need the same amount of attention and prep time. Ultimately, you have many colors in both stain and paint to choose from for your perfect furniture project.

Antique Mahogany Secretary

 

Secretary Before

The art of letter writing is almost a lost art. With the influx of everything

Secretary After

instantaneous with text messaging, e-mail and FaceTime, who wants to take the time to hand write anything? Yet, there’s something appealing to putting pen to paper and feel the words as they appear on your page. This antique mahogany secretary had been in the family for many years and had likely been witness to many such letters. It was probably used for bill paying, keeping track of household expenses and storing those stationary items to keep them accessible when you needed them. Because it was used quite a bit over the years, it was quite worn and needed refinishing. It’s hard to see in the picture, but the “after” photo shows new knobs, which were glass. (Unfortunately they don’t photograph very well.)

Secretary Inside After

Secretary Inside Before

Mahogany is one of my favorite woods to restore. It has such lovely patterns and tones that are rich with color and movement. This is a dream to strip and stain as it takes the new stain quite well. The interior also needed to be stripped, which is quite tedious because it had to come apart, otherwise you can’t reach those little cubby holes where envelopes are kept. It’s time-consuming work, no doubt about it. These things simply take a lot of time. 

There are no shortcuts to quality work. This piece, like many of that period, was a perfect size for a small office and a tidy way to keep track of those pesky papers you don’t want cluttering up your table. After it was stripped, sanded and re-stained then protected with two coats of polyurethane, it was once again a lovely piece of furniture that will be useful for many generations to come.

Antique Chair Updated to 21st Century

 

Antique Chair Before

Antique Chair After

Every household has chairs, usually lots of them. There are as many styles chairs as there are other types of furniture, but not many other furniture items are used as much as chairs, therefore they tend to get more wear than other furniture. 

Antique chairs are unique because the materials used in the 1920’s or 1930’s were limited and not as “user friendly” as they are today. This antique cherry chair was in relatively good condition, meaning it had good bones, but was in dire need of refinishing and new fabric. The fabric on this chair was not only very worn and threadbare, but no longer usable and likely had a zillion or more dust mites. 

For this type of project, Jim takes care of the refinishing and restoration process while I handle the new fabric. Jim used a custom mixed stain consisting of 25% mahogany and 75% chestnut, which looked fabulous. When the chair was finished and protected with two coats of polyurethane, I took over and tackled the fabric. I don’t claim to be an expert upholsterer (I’ll leave that to my local expert) but I can handle certain projects. Seat covers is much easier than working with an attached seat because you must allow for the fabric to go around the arms and back of the chair, which is a nail-biting experience. 

This chair originally had horse hair stuffing for the back and worn out springs for the seat. My experience with chair springs isn’t terrific, so I prefer to replace them with a sturdy new wood bottom and 2” of high density foam. The foam is covered with thick batting for extra cush for the tush, and finished with the customer’s fabric of choice. My customer chose a lovely paisley pattern,  definitely a 21st century fabric. With the freshly refinished wood and the new fabric, this chair will last another 125 years.