Antique Solid Cedar Chest Refinished

Cedar Chest After

Cedar Chest Before

This is one of many cedar chests we have refinished, but it is the third one that was solid cedar; it had no veneer on the exterior. It was in pretty good condition with just a few minor scratches on the top left side in the back. Because it was solid cedar, those scratches were easily sanded away, bringing out the natural beauty and scent of the wood. 

My customer had used it as a coffee table with a glass top, so it will be protected and serve a dual purpose for many years. Cedar chests are one of my favorite furniture items because they are so versatile. In addition to storing linens, they make great toy boxes, a place to hide Christmas presents from snooping children and a great place to store seasonal clothing because of their natural moth repelling fragrant interiors. There’s nothing quite like the smell of a cedar chest. The cedar tree is one of many nature’s beautiful contributions to a family’s needs in the form of storage, seating and beauty. 

In addition to their versatile properties, cedar chests come in various shapes, sizes and styles. The waterfall cedar chest is very common with its curved front top and heavy lid. Many of these cedar chests were built in the 1940’s, used for linens and towels. Some cedar chests have legs with drawers, in addition to the lid-top storage interior. My personal cedar chest has a built-in shelf that is a perfect place to keep smaller items like my husband’s ties, socks and table runners. I love it for storing my quilts and extra sheets. If you don’t have a cedar chest, you may find one at an estate sale or at an antique store. If they need to be restored, you may get it for under $100.00. The best deal I got on my first cedar chest which was a 1945 waterfall style, was $5.00 at an estate sale. I doubt I’ll ever find one that cheap again!

You can see the other cedar chests we’ve refinished by clicking on these links:

https://finalefurniture.blogspot.com/2019/11/solid-cedar-chest.html
https://finalefurniture.blogspot.com/2016/08/1948-lane-cedar-chest_22.html
https://finalefurniture.blogspot.com/2015/04/elegant-cedar-chest-revival.html
https://finalefurniture.blogspot.com/2013/12/1945-lane-waterfall-cedar-chest.html
https://finalefurniture.blogspot.com/2012/06/my-waterfall-cedar-chest.html

Small Chair Gets Newly Caned Seat

Caned Chair After

 

Caned Chair Before

This was a nicely sized, small antique chair with a broken cane seat. This is a common problem with cane, it breaks easily when someone either puts a knee through it or tries to stand on it (not recommend). 

This chair was a standard strand weave cane, using a medium size cane. To determine what size cane a chair requires, you measure the distance between each hole as well as the size of the holes on the perimeter of the chair’s seat. If you’re unsure what size to get, it’s better to go a size smaller because ultimately it’s easier to work with.

I prefer this type of caning to the spline, or “press in” caning because although it is more time consuming, it is actually easier to do and much more accurate. I also prefer the look of strand caning to spline caning. The process for spline caning is completely different from strand caning, as the caning comes in a sheet anywhere between 16"-24” wide and sold by the foot, so if you are doing a chair that is 13” x 14” you need to get two lengths of caning in the closest size, but allowing an additional two inches on each side to allow enough cane to “press” into the groove on the top edge of the chair.

With the traditional weave as seen in this chair, you start by removing the old cane completely and make sure all the holes are cleaned out. Then you begin the weave by starting from the front center and coming up the back center, passing beneath through each hole, then back up again to the top, repeating this procedure until one side of the chair is completely filled in, then you repeat on the other side. The next step is the horizontal weaving, continuing until the entire chair is covered both vertically and horizontally. The third step is another row of vertical, this one going slightly to the left of the first row. This allows the additional weaving steps to be easier. 

The total process has six steps of weaving then the final step is the final edge which is secured with binding cane which is a bit wider than the cane used on the chair. You come up through each hole then down the same hole, over the binding then securing the it by pulling the working cane through snugly on the underside, then repeating this on each hole until you complete the entire chair.  You secure the corners with a 1” piece of round peg cane that keeps the corners from coming apart. On the underside of the chair will be the loose strands of cane which will be tied beneath the woven strands created through the caning process. This is the last and final step before the chair is complete and ready to use.

My first caning chair was quite the challenge, but after watching many videos and reading material, have since done many caned chairs. Each time it gets a little bit easier, because I understand the weaving process. I’m currently self-learning yet a new type of weave, a rush chair, which is a completely different process from caning, since the entire chair is woven from the corners to the center, ending with a very narrow space to fill in the last strand. Rush is either natural or manufactured, but the process is the same. I’m in the early stages of this, but this evening I finally figured out the direction and how to get it positioned correctly. When I’m done I will hopefully will have four nicely finished rush chairs and a new skill under my belt. I’ll be posing those too, so keep checking back!

Eastlake Chair Reupholstered

Eastlake Chair After

Eastlake Chair Before

This was a very old Eastlake chair which had been thrown away. My customer saw the potential of this chair and brought it to me to reupholster. Originally he had just wanted the springs to be restrung, as they had been popping through the fabric on the bottom, but upon closer inspection, I realized the chair’s springs were not the only thing this chair needed. The seat was rock hard, which meant that the foam was completely deteriorated beyond usage, so I told him it needed to be completely restrung, with new webbing. 

After I removed the old fabric, as I had guessed, the foam was so deteriorated it resembled a dried out loaf of bread. Yellow dust had sifted out of the chair’s bottom edges as I pried the old fabric off. It was indeed a mess and was simply not usable in its condition. Once I removed all the fabric, I made yet another discovery. The springs were tied to the chair upside-down, meaning they were strung to the bottom of the chair instead of the top of the chair’s seat, as it should have been done. This involved removing all the “guts” of the seat, which was the old deteriorated webbing as well as the springs and strings. 

Plus instead of using webbing to secure the springs to, they had used burlap only, which was definitely inadequate. Webbing is attached to the bottom of the chair then the springs are attached to the webbing. After this step, the springs are tied in the “eight-way” tying technique so that they are secure and do not move as well as adding the proper support and structure to the seat. Retying strings is a time-consuming job and requires accuracy and a bit of upper body work, or they won’t hold up for the long haul. I tend to over-tie springs, erring on the side of extra instead of under-tying them. Better more than less in this application.

New Webbing
With Springs
Ready for Tying

After the springs were securely tied, I stapled burlap to the top of them, snugging them tightly on all sides. A one inch layer of foam was the next layer, followed by a 1/4” layer of foam for added comfort. For the final padding I used loose cotton which is commonly used for upholstery. This is a very soft, comfortable cotton that comes on a roll. In some applications, many layers of this cotton is applied when a seat (or couch) needs more stuffing. 

Once I had the cotton in place, I stapled a layer of high quality muslin to cover everything else I had applied. The muslin makes a nice final surface on which to attach the fabric. Because my customer was on a tight budget and didn’t want to purchase new fabric, I chose a soft gray plush material, which was left over from a previous job, and was just enough to complete this chair. 

The cushion on the arms needed to be replaced as they too were beyond usage. I used the old cushions as templates and cut new ones using my carving knife. It worked quite well and covered the area nicely. The back of the chair needed new webbing and foam. The fabric was applied to both front and back of the upper part of the chair and the entire chair was finished with piping, which I prefer to using decorative nail heads which are difficult to pound into hardwood, such as this. I polished the metal wheels, which were original to the chair. The chair was once again usable.

Woven Chair Replacement

Weave Chair After

Weave Chair Before

Caning and weaving are similar, using the natural fibers of cane or rush, but this application has a different technique, using a herringbone weave instead of spline or woven cane. It’s actually quite fun to do, but takes a lot of time and steps that must be followed, or you end up having to remove a lot of rows. This type of weave can be done in many different styles. 

Herringbone is just one of many. Basketweave is also popular. There is a “radio” weave which looks like the weaves are laid on top of one another. This particular one is my favorite because it is relatively quick and fun to do.

The art and technique of chair caning seems to be a dying, lost art, but with patience and trial and error, you can learn it. I didn’t have this skill until someone had asked me if I knew how to cane a chair. That was about five years ago. I told them that I didn’t know how to cane a chair but would be able to figure it out. The first one I did was frustrating and I swore I would never do it again! Then after the second and third one, I knew the system, became more familiar with the steps involved in doing it right and by the tenth one I was a pro. I’m still learning because each chair has its unique qualities and challenges, but the simplest ones are still my favorite. It’s relaxing and fun to “bond” with an old chair, imagining the stories it could tell me if it could speak. 

Corner Chair Painted Black, New Seat Fabric

 

Chair Before

Chair After

This little chair is called a “corner chair,” because it can go perfectly into a  corner and you can sit on it facing either way. It’s a perfect place to sit and put your shoes on (or off) or just for additional seating. This little chair was an antique, likely made in the 1920’s or 1930’s. 

It was in great shape, but my customer wanted an updated look so she opted for satin black paint. After sanding, priming and painting, it was ready for a new upholstered seat.

The seat was covered with suede, which had seen better times, so she chose a gray tweed fabric which worked well with the black paint. The seat had been reinforced with very old, likely original metal strips on the underside and had been nailed with 2” nails! They were way to long for the 1/2 “ wood, so I had to turn the entire seat upside down and pry up the nails before removing them. 

Once that was done, I replaced them with seat webbing, weaving three rows in each direction for extra strength and support. Foam and batting added, then the new fabric was stapled in place. A black cambric finished off the underside of the chair. The black was satin, and looked fabulous with the fabric, a perfect blend of color and texture. 

Ice Cream Parlor Chair Painted and Re-Caned

Chair After

 

Chair Before

These chairs were once popular in ice cream parlors across the United States. The familiar shape is reminiscent of generations before ours sitting in an ice cream parlor, enjoying a cone of their favorite flavor. 

This chair was quite old, an antique, that had been painted a few times. It was likely part of a set but was a lone chair that needed new paint and a newly caned seat. Many caned seats either got painted with the chair, or stained, depending on the  manufacturer or whoever refinished it prior. My choice is to leave the caning natural and allow it to age which gives it a unique patina that only time can create.

Caning a round chair is a completely different process from caning a square or rectangle chair. This is because you have to go through the same hole many times and skip holes with the weaving process because of the round shape. It’s a bit tricky, but follows the same principles of basic caning in every other way. The white paint was a great choice for this little chair which matches the little table perfectly. It will eventually be used as a place for homework or other projects for a little one.

Chair with table, finished

 

Antique Parlor Chair Gets New Caning

 

Cane Chair Before

Cane Chair After

When a knee ends up in the seat of a caned chair, well, you have a problem, but not to worry, because it is fixable. It simply needs to be replaced with new caning. This antique parlor chair (it was so cute) had a perfectly round seat with a broken caned center. Like many caned chairs, they are not designed for a sudden, rapid force, such as a knee pushed in the center or a child who jumps from the chair, using it as a launching pad. Cane breaking is not uncommon, especially in old chairs. Unfortunately there’s no quick way to “fix” them. The cane must be replaced.

This little gem had strand caning, which is the weaving that requires a hank of cane in a specified size that is woven directly onto the holes surrounding the perimeter of the seat. I actually prefer this caning to the “press in” spline caning, because the process is quite relaxing. I work on chairs in my lovely sunroom (lots of natural daylight) while trying to keep my cats away from their natural instinct of pulling at what I’m tugging, which is each strand of cane as I weave it through the chair! They indeed love playing. Sadie likes to “sneak” off with a section of cane then run away, feeling like she got away with it. 😂

This chair had spindles on the front legs and overall, the chair was in great shape. You can’t beat hardwood, especially in antiques. They made furniture to last back then. Therefore when people ask the question, “Is it worth restoring?” I always answer with “yes,” because you already have the value in the chair (or other furniture item) so why not get it refinished and keep it another 100 years. It’s something to pass down for future generations. Because once they’re gone, they’re gone. Preserving the past, a bit of history, is a great way to appreciate the artistry created by someone who may not be around anymore. Get it done and you won’t regret it.

Sadie, my “helper"

Peg Leg Knitting Table Refinished and Repaired

Knitting Table Before

An antique knitting table such as this was useful for storing knitting needles and yard as well as other essentials a knitter would use in her arsenal of creative tools. Somewhere along the line the front left leg broke, thus had a “peg leg” appearance and didn’t stand up on it’s own. Luckily, we were able to repair the broken leg by drilling a hole on the top portion and the broken part of the leg, then glue them back together with a dowel. This is the correct and most durable way to repair a leg such as this one, which isn’t very large to start with.

Knitting Table After

The rest of the cabinet needed some touch up, a knob replacement on the bottom drawer and a completed refinished top that was stripped, sanded, stained and protected with two coats of polyurethane. The entire bottom of the sides was missing, so we replaced that with matching plywood cut to size. It simply won’t do to have your knitting needles fall out and end up on the floor. 

This was the second knitting cabinet we’ve done, but this one was a bit lighter wood than the first one which you can see by clicking on this link: http://finalefurniture.blogspot.com/search?q=knitting+cabinet

It’s nice to have a few projects that we can compare to other projects we’ve done that are similar. These knitting cabinets were commonly used at the turn of the century and have been preserved throughout the years as they can are versatile and can be used as a display cabinet in a hallway or a great storage spot which doesn’t take up a lot of space.

Oak Chairs Refinished

Oak Chair After

Oak Chair Before

We restore more chairs than anything else and the reason is simple. Everyone has them and eventually, they get pretty worn, damaged and no longer look good so they will require an overhaul. 

Depending on the amount of damage a chair retains, refinishing can be “lightweight,” meaning a little clean up and perhaps touch-up staining to a total restoration which requires the chair to be stripped down to bare wood (the preferred method), sanded thoroughly, wiped clean and stained with the choice of the customer.

This is one of two identical chairs that needed complete restoration. This one had some water damage on the top, but was overall in pretty good condition. Still strong and not requiring gluing of loose joints, once the stripped and sanding was complete, we applied a fresh coat of English Chestnut stain and two coats of semi-gloss polyurethane. Not only did the refinishing repair the damage, it brought out the luster and beauty of the wood which had been hiding under years of water damage and grime. Never underestimate the power of refinishing a chair! 

You’d be surprised how many people dumpster dive and bring us chairs that someone else had tossed and we made pretty again. The old saying “One man’s trash is another man’s (or woman’s) treasure,” is really true. It’s a shame to thing someone had tossed furniture away only to have it completely turned into a usable treasure, so keep that in mind when you look at an old item of furniture and think, “Is it worth it?” I can tell you with absolute certainty that it is always worth it if the furniture item has good bones. Furniture made of solid wood is built to last a lifetime. And not just the lifetime of a person, but several lifetimes throughout generations if it is taken care of. Maintaining the integrity and classic look of an old piece of furniture, be it a chair, table, dresser or cedar chest is keeping a part of history that we can learn from for generations to come.

Caning an antique rocker video

Caning a chair, final step

Video for caning a chair, final step - click here to view!

This is just a quick video that I wanted to share with my blog followers or anyone who wants an idea on how the process of caning is done without getting into the nitty-gritty. There are plenty of videos on all the steps, but I just wanted to highlight my favorite part of the process and what I’ve learned along the way. I have linked a few other videos on caning on my Youtube channel if you’re interested.

Enjoy!

Rene

😀

To view the entire seven-step process, click on the Peerless Rattan instruction video on the link below: 

Caning a chair 7-step process by Cindy Hammond

Note: The Hammond video shows a pretty straightforward caning method, which uses a rectangular chair. You have to learn the differences in how to cane when you have a rounded back chair or a completely round chair. The part that varies at this step is that you must use the same holes several times to even out the front and rear caning. If you have more holes in the front than you have in the back of a chair, you’ll have to double up the amount of holes in the back to accommodate those extras in the front.

Checkerboard Antique Card Table

 

Card Table Before

Card Table After

Every once in a while we get a totally unique piece of furniture that is one in a million. One of the many aspects of furniture restoration is the wide variety of items that come our way. It’s always a surprise! At times the surprise comes when we see it. Other times the surprise comes after we remove the years and years of grime to reveal the beauty beneath it. This antique card table with a checkerboard center was such a piece.

It’s hard to know origins of furniture, such as how old an item is, where it was made, what kind of wood is was made from. We have seen mostly oak, walnut, cherry and even some more exotic woods such as bloodwood and olive wood. At times we’ve seen wood we can’t easily identify. With this unique table we quickly realized it was made of many types of wood combined to create a work of art which ended with a center design in a checkerboard or chess table.

However, it was completely covered with years of grime, dirt and who knows what else. Hidden away in a garage for over thirty years, this table was likely overlooked and became part of the back storage of the space it occupied until my customer yanked it out with the intention of getting it refinished. It looked like a major undertaking since there were many pieces of wood missing that would have to be replaced as well as all that grim removed with stripper and carefully sanded so that none of the wood would be destroyed in the process. And yes, each piece of wood you see has been individually placed into the table! This alone makes it a highly unique work of art. 

Once stripped, the gorgeous wood beneath was exposed. It was comprised of maple, bird’s eye maple, walnut and mahogany. Since many of the original tiny pieces were missing, it was necessary to cut and carefully place each missing piece in its place so that it blended in with the table and look as if they were always there. As you can imagine, this was a very time-consuming process. After all those missing pieces were installed and glued, it was then stained and protected with four coats of strong polyurethane so it will hold up for another one hundred years at least. A timeless beauty can say, “Checkmate.”

Card Table Before

Card Table After

Oak Dresser Hidden by Green Paint

 

Dresser After Stripping

Dresser Before Stripping

This little dresser is similar to a few others we’ve done that had the same overall look and design. However, this one was painted green. In our experience, sometimes when a piece of furniture is painted, there’s a good reason for it. Upon stripping this little dresser, we discovered that one of the drawers had a “patch,” which meant that someone had added a different type of wood that didn’t match the original oak that was used when it was built.

Luckily we were able to apply the stain so that it covered the entire piece in a way that looked as it would have looked originally. Likely, it had never been stained, just painted after it was built. It was old though.

When painting furniture, it usually doesn’t matter if wood styles are mixed because the paint covers it all evenly. But when a person wants something stripped and stained, refinished per se, if the wood is patched with non-original wood, this results in a variance of stain colors since different types of wood accept stain differently. 

A good example would be if you apply a dark stain to a light wood such as pine, it would certainly darken the original raw wood but wouldn’t be as dark as if you used the same stain on walnut, which is a darker wood to begin with. It’s always easier to go darker upon refinishing/restoring but much harder to go lighter. Not to say that it isn’t possible to do this as it all depends on the type of wood that was stained originally. Sometimes you simply don’t know what the raw wood will look like until it is stripped as years and years tend to oxidize the wood, making it darker than the original stain. Most of the time the wood, when stripped and completely sanded, is much lighter than the old finish. This allows for plenty of stain choices as it is fun to experiment with how the various stains draw out the wood’s original beauty. This is one of the most rewarding aspects of refinishing...seeing the final results when applying the stain. Ah, it’s pretty once again!

Antique Mahogany Swivel Table

 

Swivel Table Before

Another beautiful swivel table! This antique was made of mahogany with brass accents. The lower portion of this table had a unique “harp” design with three brass prongs, that cleaned up real nice. The top was in rough shape and had seen years of use, including water damage likely from placing a planter directly not the wood. It’s always a good idea to have a planter with a tray or aluminum pie tin to eliminate water damage. 

Swivel Table After

This table was in need of stripping, sanding and new stain. We chose special walnut stain and three coats of semi-gloss polyurethane to ensure protection from everyday use. All the brass accents, feet, harp metal and two small knobs (not seen in photo) were cleaned and polished. Polishing the brass, truly accentuates the refinishing process. It also adds a special “bling” to any piece of furniture, much like the right jewelry does for an outfit.

This style of table is used for playing board games or cards, as it has a “secret” swivel compartment beneath the top that is accessible by rotating the table 90 degrees, then opening one side to reveal the compact area beneath, just large enough to hold note pads, decks of cards and paper goods. When not being used as a game table, it folds in half and can be pushed right up against a wall and used for decorative accents such as plants, lamps or collectibles. Now that it has been refinished, this table will likely be used for many card games and other fun activities.

Antique 19th Century Caned Chairs

Antique Chair After

 

Antique Chair Before

Here we go with more chairs! This time it was a set of four (4) chairs, all in need of TLC. These chairs dated back to the late 1800’s, so they were 19th century chairs that had seen a lot of use, therefore a lot of wear and tear, literally. 

Originally the chairs had caned seats, but over time they likely broke and someone decided to cover the seat with stamped leather, or rather, a leather-look-alike that seemed more like a heavy paper between layers of very thin leather. Broken and no longer able to seat a person, it was high time to remove the leather “fix” and replace it with the original woven caning. But first, the chairs all needed to be stripped, which for this type of chair is very time-consuming because (you guessed it), spindles. Yup, spindles are what takes a long time to strip because there are many of them and they are rounded, making them inaccessible from one angle, therefore it’s necessary to rotate the chair continuously while stripping. 

A chemical stripper was the best option for these (compared to a heat gun), because it melts away the old, worn finish and reveals the wood beneath. Once all the old finish is removed, the chairs are then cleaned up by using soft rags (usually old t-shirts, which are excellent for this) and wiping away the residue left by the stripper with lacquer thinner or acetone. This is a necessary step prior to sanding or your sandpaper will clog up with the residue, making it difficult to remove. 

Starting with 100 grit sandpaper, the chair is prepared to accept the next grit, 150, until the final sanding, which is done with 220 grit. Once all surfaces are sanded, the chair is wiped with lacquer thinner on a clean cloth, allowed to dry, then it is ready for stain. This entire process (for this type of chair) can take from several hours to a few days. Again, spindles are a lot of work, therefore more tedious and time-consuming than flat surface chairs. Once the stain is applied with either a soft cloth or a brush, or both, you wipe away the excess stain, then enjoy the amazing transformation from raw wood to beautifully restored, refinished wood. 

We used "special walnut" on these chairs. The new stain brought out all that gorgeous woodgrain, which had been hidden by years of oxidation that happens over time. Once the chairs had dried from staining (we allow 24-48 hours), the first coat of polyurethane was applied. For these chairs we used a water-based semi-gloss, durable and easy to clean up after. That first coat protects the stain and prepares the wood for the remaining two coats that finish the chair. It is necessary to lightly sand between each coat of poly with a high grit sandpaper to give it “tooth,” which makes just rough enough to accept the next layer of polyurethane. Once the third coat was applied, the chairs were done and ready for the last and final step, install the new caning. 

These chairs had “press-in” caning, cane that comes in pre-woven sheets and cut to size, then installed and kept in place with spline. It’s necessary to soak the cane and spline for at least an hour (or longer) so that it is pliable enough to work with, otherwise it cracks and breaks. Caning “wedges" are used to “press” the edge of the cane into the pre-cut 1/4” groove in the chair. The chairs had a closely woven cane originally, so we chose the same style to keep it original.

It’s necessary to choose the right size of spline, which is based on the width of the opening, so that it keeps the cane in place while completely filling the groove. If the cane is too loose, it will not keep the cane taut. It’s a tricky process because once you have pressed all the cane into the groove, you glue it slowly, allowing the glue to run into the groove, starting in the back of the chair. Once it is glued, you push the spline into place, tapping it with a hammer as you go. If the spline has been adequately soaked, it will bend easily around curves. If not, it can break, especially if those curves are tight. 

Luckily these chairs’ curves were fairly wide, so it wasn’t too difficult to bend them around the edge. Once you reach the back where you started, make a small pencil mark and cut the spline to match the starting point at an angle and tap it with a hammer in place. After all the spline is installed around the entire seat, hammer the spline so that it is level with the top of the chair. There will be caning strands popping out that were left over from the placement after the spline is installed, so they must be trimmed off. I use a sharp chisel and snap them away by tapping on a hammer close to the spline, which removes the excess. You can also use snippers. This completes the caning process. Allow the cane to dry at least 24-48 hours before you sit on the chair.

Rocking Chair Goes From Rubbish to Royalty

Rocker Before

Rocker After

Everyone’s heard the phrase, “One man’s trash is another man’s treasure. ”Indeed, this seems to be the case for many old pieces of furniture as well as a ton of other interesting finds at flea markets, garage sales and estate sales. The fun is the hunt, the pursuit of finding that special “gem” that everybody else overlooked or simply didn’t want.

Other times people find something in grandpa’s attic that they really don’t want to deal with, so they toss it out. Sometimes it goes to a land fill, other times it gets another chance and life when someone sees the beauty hidden beneath layers of grime, old fabric (or in this case, missing fabric in the back), and broken springs that once held up the seat.

Rocker Back Before

Rocker Back After

This very old rocking chair was one of the lucky ones which got rescued and brought to us. It was indeed quite the challenge because it didn’t have anything but a big hole in the back rest where the fabric once was, with little to go by on how it was constructed. But first things first. Strip, sand and stain before anything else. But in addition to the standard stripping and staining, this chair needed new rocker rungs, because the original ones were broken and barely held together with rusty screws. There was no saving them.

It’s hard to know how old this rocking chair was, but when hay or horsehair is used, it’s a sign to be pretty old. My guess would be this chair dates to the mid to late 1800’s based on its overall construction. Rusty tacks held in what we believe to be leather, which was wrapped around the top of the chair and held in place at the top, bottom and sides with those tacks. The seat looked like it had been reupholstered back in the 1920’s and not updated since then. It was really, really old and pretty hideous. The bones of the chair was good, solid oak and quite heavy. It had springs that had long ago sprung loose of their rope that held them beneath the seat cushion which was also almost gone. Needless to say, we had our work cut out for us.

Side View Before

Side View After

Jim did a fine job stripping the chair, then making the new rocker rungs before it could be stained and finished with polyurethane. Making the rungs was extremely difficult because he had to make a template to trace the old ones onto then cut the new ones with a special router bit that was much deeper than the standard size to accommodate the thicker oak he was using. After lots of sweat and a few choice words, we got it done! Finally he could attach them to the bottom of the chair and finish the process of staining and protecting with poly. Once it was all done and dry enough, then it was my turn.

The seat came first. I measured and cut the 2” thick high density foam and made it fit the new seat which was made of durable wood instead of springs. Once the foam was in place, I added two layers of quilt batting to the top of the foam for extra softness. A very dark gray vinyl was chosen for the seat cover, so I made a template then cut the vinyl to fit snugly into the chair’s arm rest in the front and uppers in the back. Going around the wood in the corners is the toughest part because you want to eliminate the bulk without cutting away too much fabric, therefore a template is essential to get it right. Once I had it taut, I started with each side, adding a tack to hold it in place then worked my ay around the entire seat, cutting carefully and trimming the extra so it would fit well. I added tacks along the entire bottom edge on all four sides. It looked great! Then came the real tough part....the back.

First I had to attach 4” jute chair webbing horizontally and vertically on the opening of the back, to securely hold the foam and fabric in place. Once this was done, I placed a 54” x 22” continuous piece of 1/2” foam and wrapped it around the top of the chair, attaching it to the front and back bottom edges with temporary tacks. I had two layers on the front and an additional thicker foam on the back to fill in the large gap created by the open area of the chair. Once I was satisfied with the placement of the foam, I kept the edges from moving around by using my trusty glue gun. Then I prepared the fabric. I needed a 21.5" x 50” section of fabric. After I cut the size, allowing for folded edges and a generous seam allowance on the bottom, I attached the fabric to the front and back bottom edges first, then added temporary tacks about 6” apart along the sides to keep the fabric taut. Next and final step, carefully nailing in the decorative nickel tacks, I started on the backside, then carefully worked my way up and over to the front side, finished with the bottom front. Adding fabric to a chair that you have no reference as to how it was done prior is quite challenging, but can be achieved by applying techniques you acquire along the way. This chair made a complete 180 from how it started, from rubbish to royalty, fit for a king. Now it can live another 150 years.

Below are the photos that my customer had sent to me asking if this chair can be refinished. I knew it would be a real challenge, but a challenge both of us were up to.

Original Photo from Customer

Original Photo from Customer

Back top original photo

Bedroom Set Stripped and Whitewashed

Vanity Before

Vanity After

This is one of three bedroom pieces that came to us with an old yellowish paint that was at one time supposed to be much lighter. It had oxidized over the years and obtained some wear, so a refresh was in order.

My customer had wanted a whitewashed finish, so a full strip, sanding and application of white stain, which creates a whitewashed finish that she had wanted. The hardest part is always removing the old finish before anything else and with the amount of detail in this set including ball and claw feet, the stripping and sanding process took a great deal of time. This had to be done to all three pieces, removing the original hardware which luckily, was all in tact and accessible.

Dresser Before

Sometimes hardware pieces get missing so must be replaced. But

Dresser After

mostly, people prefer to use the original hardware in their restoration process.

When changing the entire appearance of an item such as going from stain stripping to painting for a more modern appearance, they will sometimes elect to replace the old hardware with newer, more modern hardware. It’s all personal preference, but it always looks great when it’s done.

Night Stand Before

Night Stand After

High Chair Before

High Chair After

This is our first high chair restoration. We estimate this height chair was at least 110 years old, based on the owner’s great-grandmother who had used it as a baby. It really look old (and rather creepy) with its dark greenish glaze that sort of, but not completely, covered up the wood. It was indeed a labor of love with all the spindles that neither Jim or I like working on as they are extremely difficult and time-consumimg.

The high chair had a center leather strap that acted as a safety measure to keep the baby from slipping out from under the chair. We were able to keep the original strap and incorporate it into the renovation of this oldie. Not 100% sure of the wood though. It didn’t have a lot of knots or movement so it may have been maple, but it was a hard wood to be sure.

The stripping process took an enormous amount of time to get between all those spindles! Jim took the tray off completely and had to replace a missing rung in the back of the chair. Luckily he could pull the back legs apart far enough to install the new rung into the hole and drill out the broken rung remains on the other side to make the new one fit properly. Once stripped and stained, he chose gunstock stain (our new favorite!) for the entire chair. The edging of the tray needed to be repaired since it had been broken right in the middle with a noticeable split. He added a piece and made it work. Once it was all put together with its new and repaired components, it looked beautiful. Who knew this old creepy chair would turn out so good?? (We did!) Lol.

Check out the oak high chair we also refinished by clicking on this link:

https://finalefurniture.blogspot.com/2020/10/antique-oak-high-chair.html

Painted Cedar Chest Revival

Cedar Chest Before

Cedar Chest After

This is one of many cedar chests we have done, but it is the first one we have refinished that was painted. Personally, I can’t imagine why someone would paint a cedar chest, as the wood itself is too beautiful to cover up. My customer had purchased this painted cedar chest at an estate sale and wanted to see what was hidden beneath ugly green paint. I innerly groaned envisioning someone slapping paint on such a lovely piece of furniture. We had our work cut out for us!

The refinishing process is tedious, but when we get a painted item of furniture that the customer wants stained, it is necessary that every spec of paint is removed, because once it is stained, if not removed, that paint will be visible. Therefore, the stripping and sanding process must be done with intense precision and close attention to detail. It is easy to overlook the small crevices, but they too must be stripped of any and all remnants of paint or any other old finish. That’s where the wood carving tools come in quite handy as they allow us to get into the tiny spots that paint can get trapped.

You never really know what the wood will reveal once the paint has been removed, but as with most cedar chests, this one was was quite beautiful. It had accent strips on the front with wood “buttons” for a bit if decorative flair. It has great lines and a lift-up shelf not the inside. It was also a Lane, so a commonly known brand name that many people have experience with. Upon research, I discovered that Lane cedar chests have the date they were made stamped on the underside of the chest in reverse.  (Therefore if your cedar chest’s serial number is 649010, it was built on January 9, 1946). 

Cedar Chest Before

Cedar Chest After

The inside bottom of the Lane brand cedar chest has a large inset dowel, with a screw that you can turn to release the cedar fragrance. Cedar chests are natural moth repellants, so they are much sought after for precious linens or vintage and antique quilts, to keep them free of these destructive pests and hole-free.

Not all cedar chests have a serial or date stamp on the bottom as there were many manufacturers of cedar chests across the country. Lane is a popular brand that offers a variety of styles and sizes.

Upon completion, this lovely Lane was once again in its original condition, showing off its many tones of wood with that easily recognizable cedar fragrance that we love and moths hate!

Finished Cedar Chest

Check out other cedar chests we have refinished by clicking on these links:
https://finalefurniture.blogspot.com/2019/11/solid-cedar-chest.html
https://finalefurniture.blogspot.com/2016/08/1948-lane-cedar-chest_22.html
https://finalefurniture.blogspot.com/2015/04/elegant-cedar-chest-revival.html
https://finalefurniture.blogspot.com/2013/12/1945-lane-waterfall-cedar-chest.html
https://finalefurniture.blogspot.com/2012/06/my-waterfall-cedar-chest.html