Early 1800’s Historical Filing Cabinet

Filing Cabinet Before

Filing Cabinet After

Working on antiques is one of the most rewarding aspects of our business. There’s a certain thrill to work on something that has been through a century or more and wonder what stories it could tell.

This filing cabinet was purchased in Virginia from an auction and paperwork stated it had once belonged to the son of Robert E. Lee. Since he has three sons and four daughters, we do not know which son it belonged to, of one of them had owned it. That’s so interesting! Knowing that a historical figure had once used this oak filing cabinet is a pretty cool piece of knowledge.

This cabinet was actually comprised of five modular sections, each setting on top of the other, fitting securely with specially fitted center boards that kept each section from moving while in use. The top section had many smaller drawers that were likely used for time cards which were likely stacked so they could be easily accessed.

The next three levels each had three drawers with uniquely positioned handles that were installed vertically, compared to modern file cabinets’ horizontally mounted handles. These handles were pitted steel and our customer had wanted to keep the entire unit as original as possible, so we left them un-polished, but cleaned them up.

For the wood, we used boiled linseed oil to rejuvenate and freshen it up. This also adds moisture that aging removes, preserving the wood for years to come. We adjusted and repaired a few broken areas, but all in all this cabinet system was in pretty great shape considering it was used in the early 1800’s. The bottom row had four smaller drawers with “scoop” handles, made of brass. Once everything was tightened, cleaned and put back together, the cabinet was still original but functional and sturdy. It will likely last another 175 years.

New Front Door

Door Before

Door After

A front door is most important feature of your home. It keeps out weather, makes a home secure, invites people inside and is a representation of the people living in the home. Therefore, a front door should be well maintained, weatherproof and attractive as well as functional. This front door had been exposed to the elements and over time it became weathered and worn. (We took the photo on our work table so we don’t have a “before” of the door in the home, but our customer sent us the “after picture.

The interior was in great shape, but the exterior needed the most attention. However, upon closer inspection, the interior had been affected by the exterior’s wear because the door had warped, therefore the trim surrounding each panel was lifting enough so that one could get a decent scratch at the least and broken or missing pieces which would be not easy to replace. Before we could start on the exterior, we needed to address the interior’s warping issue by carefully removing the “lifted” trim and sanding each piece down just enough so they could “curve" with the warped panel and would lie flat again. Then we could refinish the weathered front. This door was solid oak and weighed a ton. The door knocker was brass along, with the handle/lock, which carried a hefty price tag (quality costs money!) This door was begging to be made handsome once again. 

Because of the amount of trim and the narrow passages between the trim. stripping was intensely tedious and took a lot longer than expected (it always does!) Stripping took several days and sanding a few more. Since this was our customer’s front door (he literally didn’t have a front door for a week, other than the storm door), we needed to move as quickly as time would allow. We used a variety of hand tools in addition to the much-used orbital sander. Our favorite hand tools are a set of wood carving tools that allow us to get into the nooks and crannies and corners, so we can remove the residue that is left by stripping the old stain and varnish. Once that’s done, lots and lots of sanding prior to the fun part, staining. For this door we used golden oak stain which matched the existing interior color perfectly. To protect the exterior, we applied three coats of satin polyurethane. Once the finely crafted brass hardware was reinstalled, the door was complete, looking brand new again.

Rocking Chair Goes From Rubbish to Royalty

Rocker Before

Rocker After

Everyone’s heard the phrase, “One man’s trash is another man’s treasure. ”Indeed, this seems to be the case for many old pieces of furniture as well as a ton of other interesting finds at flea markets, garage sales and estate sales. The fun is the hunt, the pursuit of finding that special “gem” that everybody else overlooked or simply didn’t want.

Other times people find something in grandpa’s attic that they really don’t want to deal with, so they toss it out. Sometimes it goes to a land fill, other times it gets another chance and life when someone sees the beauty hidden beneath layers of grime, old fabric (or in this case, missing fabric in the back), and broken springs that once held up the seat.

Rocker Back Before

Rocker Back After

This very old rocking chair was one of the lucky ones which got rescued and brought to us. It was indeed quite the challenge because it didn’t have anything but a big hole in the back rest where the fabric once was, with little to go by on how it was constructed. But first things first. Strip, sand and stain before anything else. But in addition to the standard stripping and staining, this chair needed new rocker rungs, because the original ones were broken and barely held together with rusty screws. There was no saving them.

It’s hard to know how old this rocking chair was, but when hay or horsehair is used, it’s a sign to be pretty old. My guess would be this chair dates to the mid to late 1800’s based on its overall construction. Rusty tacks held in what we believe to be leather, which was wrapped around the top of the chair and held in place at the top, bottom and sides with those tacks. The seat looked like it had been reupholstered back in the 1920’s and not updated since then. It was really, really old and pretty hideous. The bones of the chair was good, solid oak and quite heavy. It had springs that had long ago sprung loose of their rope that held them beneath the seat cushion which was also almost gone. Needless to say, we had our work cut out for us.

Side View Before

Side View After

Jim did a fine job stripping the chair, then making the new rocker rungs before it could be stained and finished with polyurethane. Making the rungs was extremely difficult because he had to make a template to trace the old ones onto then cut the new ones with a special router bit that was much deeper than the standard size to accommodate the thicker oak he was using. After lots of sweat and a few choice words, we got it done! Finally he could attach them to the bottom of the chair and finish the process of staining and protecting with poly. Once it was all done and dry enough, then it was my turn.

The seat came first. I measured and cut the 2” thick high density foam and made it fit the new seat which was made of durable wood instead of springs. Once the foam was in place, I added two layers of quilt batting to the top of the foam for extra softness. A very dark gray vinyl was chosen for the seat cover, so I made a template then cut the vinyl to fit snugly into the chair’s arm rest in the front and uppers in the back. Going around the wood in the corners is the toughest part because you want to eliminate the bulk without cutting away too much fabric, therefore a template is essential to get it right. Once I had it taut, I started with each side, adding a tack to hold it in place then worked my ay around the entire seat, cutting carefully and trimming the extra so it would fit well. I added tacks along the entire bottom edge on all four sides. It looked great! Then came the real tough part....the back.

First I had to attach 4” jute chair webbing horizontally and vertically on the opening of the back, to securely hold the foam and fabric in place. Once this was done, I placed a 54” x 22” continuous piece of 1/2” foam and wrapped it around the top of the chair, attaching it to the front and back bottom edges with temporary tacks. I had two layers on the front and an additional thicker foam on the back to fill in the large gap created by the open area of the chair. Once I was satisfied with the placement of the foam, I kept the edges from moving around by using my trusty glue gun. Then I prepared the fabric. I needed a 21.5" x 50” section of fabric. After I cut the size, allowing for folded edges and a generous seam allowance on the bottom, I attached the fabric to the front and back bottom edges first, then added temporary tacks about 6” apart along the sides to keep the fabric taut. Next and final step, carefully nailing in the decorative nickel tacks, I started on the backside, then carefully worked my way up and over to the front side, finished with the bottom front. Adding fabric to a chair that you have no reference as to how it was done prior is quite challenging, but can be achieved by applying techniques you acquire along the way. This chair made a complete 180 from how it started, from rubbish to royalty, fit for a king. Now it can live another 150 years.

Below are the photos that my customer had sent to me asking if this chair can be refinished. I knew it would be a real challenge, but a challenge both of us were up to.

Original Photo from Customer

Original Photo from Customer

Back top original photo

Mid-Century Modern Coffee Table

Coffee Table Before

It was not uncommon for a coffee table such as this to be used in households across the country during the 1950’s-1960’s. They usually had a top and a lower shelf where people would store their T.V. guides (which have become obsolete) as well as books, magazines and other keep close items. This maple table was likely used in a living room to serve multiple functions.

Coffee Table After

But like many items of furniture that are used on a daily basis, this table had also experienced wear and staining over the years and needed some TLC to bring it back to its original glory.

The first step in most restoration and refinishing projects such as this is a thorough stripping with liquid stripper and lots of elbow grease to remove the debris from the stripper and the old finishes that come off in a goopy and sticky mess. (It’s handy to keep plenty of empty margarine and cream cheese containers handy for this purpose).

Stripping and sanding is always long and tedious, but necessary process to remove all the previous layers of grime. Once this had been achieved, we give it a good sanding so it will accept the new stain. This table had a lovely brass decorative accent border on the top. We chose to remove this so it didn’t get damaged during the refinishing process, then cleaned it up later prior to re-applying it. This is the jewelry of the furniture as it sets off the finished piece and makes it look great. We opted for golden pecan stain with a satin polyurethane to protect its finish. Most table tops receive three coats of poly for extra durability. This table had delicate legs which was a sign of great craftsmanship and the fine art of mid-century modern furniture.

Bedroom Set Stripped and Whitewashed

Vanity Before

Vanity After

This is one of three bedroom pieces that came to us with an old yellowish paint that was at one time supposed to be much lighter. It had oxidized over the years and obtained some wear, so a refresh was in order.

My customer had wanted a whitewashed finish, so a full strip, sanding and application of white stain, which creates a whitewashed finish that she had wanted. The hardest part is always removing the old finish before anything else and with the amount of detail in this set including ball and claw feet, the stripping and sanding process took a great deal of time. This had to be done to all three pieces, removing the original hardware which luckily, was all in tact and accessible.

Dresser Before

Sometimes hardware pieces get missing so must be replaced. But

Dresser After

mostly, people prefer to use the original hardware in their restoration process.

When changing the entire appearance of an item such as going from stain stripping to painting for a more modern appearance, they will sometimes elect to replace the old hardware with newer, more modern hardware. It’s all personal preference, but it always looks great when it’s done.

Night Stand Before

Night Stand After

High Chair Before

High Chair After

This is our first high chair restoration. We estimate this height chair was at least 110 years old, based on the owner’s great-grandmother who had used it as a baby. It really look old (and rather creepy) with its dark greenish glaze that sort of, but not completely, covered up the wood. It was indeed a labor of love with all the spindles that neither Jim or I like working on as they are extremely difficult and time-consumimg.

The high chair had a center leather strap that acted as a safety measure to keep the baby from slipping out from under the chair. We were able to keep the original strap and incorporate it into the renovation of this oldie. Not 100% sure of the wood though. It didn’t have a lot of knots or movement so it may have been maple, but it was a hard wood to be sure.

The stripping process took an enormous amount of time to get between all those spindles! Jim took the tray off completely and had to replace a missing rung in the back of the chair. Luckily he could pull the back legs apart far enough to install the new rung into the hole and drill out the broken rung remains on the other side to make the new one fit properly. Once stripped and stained, he chose gunstock stain (our new favorite!) for the entire chair. The edging of the tray needed to be repaired since it had been broken right in the middle with a noticeable split. He added a piece and made it work. Once it was all put together with its new and repaired components, it looked beautiful. Who knew this old creepy chair would turn out so good?? (We did!) Lol.

Check out the oak high chair we also refinished by clicking on this link:

https://finalefurniture.blogspot.com/2020/10/antique-oak-high-chair.html

Eastlake Lamp Table

Eastlake Table Before

Eastlake Table After

Eastlake furniture is easy to identify by its unique carvings on the legs of tables and other parts of larger furniture.

This Eastlake table is likely early 1900’s and has seen its share of wear over the years. The legs were in pretty good condition, but the top had rings and dark water stains in addition to the usual scratches. At least it hadn’t been painted, since we’ve done a few Eastlake items that had paint and all that detail was hidden beneath the layers of paint. It’s always a joy to see the wood in all its glory on a lovely item of furniture such as this.

Luckily the stains and scratches weren’t too deep and could be sanded out. The top needed the most attention, so once the sanding was done, a new coat of stain brought the century old table back to life. Protected with three coats of polyurethane, the table top was once again renewed and will be well preserved for many years to come. This table was a perfect size to use as an accessory table between two loungers or as a corner table in a living room. Restoration of this table was a true pleasure as the original beauty of the wood was the crowning glory of the renovation.

Mid-Century Stendig Chairs Refinished and Re-Caned

Stendig Chair Before

Stendig Chair After

If a picture is worth a thousand words, then these photos are worth many thousands if time were a contributing factor. These are designer “Stendig” chair, made in Czechoslovakia, mid-century modern made with Beechwood, with several unique features; curved arm rests, a compound-curved back, matching curved seats and overall difficult to work on design. The customer wanted them refinished, with new caning to replace the broken cane areas (which are not easy to detect in the photo).

As of this writing, I can truthfully say that these chairs have been the most difficult caning project to date. Jim took them apart and worked on the refinishing. Once that was done, I started the tedious process of caning each of the eight sections (two per chair) of these unique mid-century pieces.

Photo 1 - Channels that
hide back of cane

Photo 2
Top front of chair before
cane removal

Each chair’s back had a channel that covered up the caning that is normally visible on caned chairs. Since these chairs’ original cane had been “hidden" beneath the channels, they had to be removed first before I could remove the cane from the holes and install the new caning. This proved to be an unexpected twist in the process because I simply had no idea how to accomplish this and no point of reference online or anywhere else, even in a caning forum.

I had done many caned chairs prior to these, but never had I expected the challenge this style of chair would present, not only in the refinishing, which required them to be taken apart, but removing the channels (see photo 1) that covered up the caning on the back of the chair and were glued in place. How do I remove them to access the caning without damaging the chair?? I researched it, but could find no information of how to achieve the removal of these channels, which meant there was only one solution. I had to figure it out myself, so that’s exactly what I did. I snipped off the sheets of caning from all backs, (see photo 2) leaving only the front edging (see photo 3) before I devised a way to remove the channel. For the seats, this was much easier because there was no channel to cover them, so I was able to remove the cane in its entirety, as I had done with many previous cane chairs in the past.

I realized that since the channels were glued in place, I would have to find a way to dissolve the glue so I could gently pry them apart from the chair’s curved border in order to remove it, which would expose the original cane beneath. But how to do that...carefully. Well, a bit if creative thinking and the right tools solved the problem. I figured if I could get to the inside of the holes and gently tap them, I could loosen the channel enough to remove it. The only problem was, since the channel was glued, this would likely break the channel as well as the chair in that area, so there had to be an additional step.

Photo 3
Top  of chair border
only remaining

Photo 4
Using eyedropper filled with
lacquer thinner to loosen
glue on front side of channel

After I had cut the body of the cane off the chair, the only thing left was the edge that filled the holes (which were not visible due to the channel). I carefully snipped them all away and removed as much cane from each hole as I could, using an awl to poke away at the hole to create an opening. This was a long and tedious process in itself. Once all the holes were exposed, I used an eyedropper (see photo 4) and filled it with lacquer thinner, allowing the liquid to fill each hole, which would eventually flow to the underside of the hole and into the glue that held the channel in place.

Once I was assured that I had enough lacquer thinner in each hole, I gently tapped each hole with another, duller awl (see photo 5) so as not to damage the exterior of the curve or the channel. After a lot of dropping, tapping and more lacquer thinner, eventually the channel loosened enough for me to remove it, exposing the caning beneath (see photo 6). Then, finally, I used a drill to clean out the remaining bits of old cane so that the holes would be free of debris to better accept the new cane (see photo 7).

         

Photo 5
Using a dull awl to gently
pound thru holes
that pried channel away

 

Photo 6
Channel removed, exposing
original cane tie-off
on back top of chair

Photo 7
Drilling holes to clean out old cane

Photo 9 First Weave

\

Photo 8
Steps 1-3 tied together

The first one was the “learning” chair, where I used thread to tie the loose strands together to keep them in a somewhat orderly alignment so that when I started weaving, I could work with the strands easily, though the process was anything but easy (see photo 8). The first horizontal weave was very time-consuming, taking one to two days. That was also the hardest part because I had to make sure the chair was tightening exactly enough for the diagonal weaves to look good (see photo 9).

I soon learned that it was impossible to keep the rows straight in a curved chair back, so I “went with the flow” and allowed the chair to evolve as it was woven, and indeed, it wasn’t half bad. Each chair back that followed I go a little bit more confident and found a few more tricks to keep the vertical and horizontal rows aligned so that they were easier to work with. This also made the 5th and 6th steps, the diagonal weaves, flow much better. Photo 10 shows the last diagonal weave going to the upper left corner. The last and final step was binding the cane with a border binding cane that finishes off the top. Then the tie-off finishes the bottom. Many steps with a lot of work and time involved in these chairs, so I enlisted my granddaughter’s help by teaching her a new skill which she learned very quickly.

Photo 10 Last Diagonal Weave

My helper

My cat, Chelsea keeps
me company

Chairs in customer’s home

China Cabinet Transforms to Coffee Station

China Cabinet Before 

New Self-Serve Coffee Bar

This is another example of how to redefine what an item of furniture can become by employing a few creative elements, a dash of imagination and a coat of paint. This was a 1980’s era China cabinet which held a collection of, well, China. It likely housed glasses, knick-knacks and crystal. But my daughter had wanted this cabinet to be used at “Roasted” in downtown Marine City’s Water Street as a self-serve coffee station to replace the old coffee bar during the store’s recent design upgrades and painting.

Her vision was to remove the top doors and paint the entire cabinet, then add wood to the interior to match the paneled wood in the restaurant’s bottom portion of the wall that complements the new paint color. She got the idea on Pinterest, but Jim was able to modify the original design to fit the needs of the coffee shop and size of this general cabinet.

He removed the top glass doors (as they were no longer being used) and lined the interior with the same wood panels to match the theme of the newly decorated coffee shop. Jim removed the original front bottom door panels and replaced them with the same panels as the interior. He built a raised platform so the coffee station would be ergonomically sufficient. This also created storage directly beneath for napkins, sugar, stir sticks, etc. The bottom portion would hold coffee cups and other supplies easily reachable but hidden behind the newly fashioned doors. The final updated cabinet was stunning. A ship’s wheel clock was the perfect design element that perfectly tied in with the coffee shop’s new theme and matched the new coffee station perfectly. You can see the cabinet at “Roasted,” which is located at 218 S. Water Street, Marine City, Michigan.

Old Hutch, New Paint and Repairs Needed, Badly!

Hutch Before

Cabinet After

An old hutch is not an uncommon item of furniture in many
households. These classic, traditional and much-used cabinets have been around for many years, serving as many uses through generations of families.

This old hutch was originally painted white, but as you can see in the “before” photo to the left, that fresh white paint had long since dulled to a dirty gray with various smudges and markings of orange, green and purple paint, likely left by little fingers. Needless to say, it needed a lot of love, starting with being completely taken apart, section by section since it was literally falling apart.

The doors didn’t have glass, but plexiglass that was barely held in place by the broken door pieces that were coming apart at the top. This alone made the cabinet difficult to transport from the customer’s home to ours. And as you can imagine it wasn’t light, so it had to be handled with care and carried carefully down the steps while watching those flimsy doors.

Once we got it into the workspace, Jim began the tedious process of removing the hardware, cabinets, plexiglass and doors. The sides were also falling off, so he took those off in addition to the doors and carefully marked each section for proper re-assembly. Each piece was then stripped, repaired, shored up and sanded prior to painting. The customer had wanted it to match her recently painted kitchen. Luckily, she still had some paint left over from the kitchen project and gave us the 1/3 gallon of pale gray paint which we used on the interior as well as the exterior of the hutch. The plexiglass was removed and replaced with actual glass. The drawer tracks were all but broken and needed to be rebuilt. The back of the hutch was mostly intact, but needed the horizontal wood slats replaced.

Our customer had asked for the shelves to moved up so she could store her coffee pots and other kitchen appliances, so Jim made each shelf adjustable, which required drilling holes on each side and adding metal pegs on which the shelves would rest. He also added to each shelf a 1-1/4” edge, which added strength as well as aesthetics. The glass door latching device was non-existent, so Jim added durable magnets at the top to keep the glass doors closed. New hinges and new knobs were added and the old hutch looked fantastic. It was not only much prettier, it was stronger and more functional than it had been in a long time.

Chairs Get New Spline Caning

Spline Cane Before

Spline Cane After

If someone were to ask what our most common refinishing job is, I’d have to answer “Chairs.” The reason is simple. We all use them, so we all have them and at some point in time, they will need to be either refinished, reupholstered, restored or in this case, re-caned. This dining chair was in need of a new spline caned back (only) as the seat covers would remain fabric (to be done at a later date).

This is one of a set of four chairs in need of new back cane. It is a “spline” cane style, which means that the back portion is made of a single sheet of caning then kept in place with a spline that keeps the cane sheet in place. This is the first time I have worked with this particular style of caning, which is known as Swedish woven. The difference between this type of cane and the more commonly seen antique cane is that these are double rows of perpendicular lines that criss-cross compared to “hole” style of cane.

When ordering caning supplies, it is very important to measure the width of the channel to get the right size of spline. If you order spline that is too large, it won’t fit into the channel, which can cause damage during the tapping which is an essential part of the installation. If you order spline that is smaller than the channel, it won’t fit tight enough to keep the cane from coming out, so ordering the proper size is key.

Cleaned out channel

The hardest part of this process is removing the old spline. For these chairs, I used a combination of tools; chisel, needle-nose pliers, wood-carving tools, hammer, and then later (after I ordered it) a spline-removal tool, which is exactly the perfect tool to get beneath the old spline and smack it until it lifts up. I then used a small chisel to loosen any remaining spline that stuck to the inside of the channel.

Note: Cane must be soaked prior to installation. I soaked the cane and

Soaking Cane in Tub

spline (in my bathtub) for over an hour. (My little cat, Sadie is supervising!) Soaking spline and cane together is necessary, so that the spline can be manipulated around the tight corners that bend along the edges of the chair. It is okay to leave the everything soaking while you continue to work on each chair. By the time you get to the last chair, your cane and spline will be pliable enough to work easily. The first one is always the hardest one to work on.

I used Frog tape to protect the chair from accidental scratches while removing the old spline. Once the spline was removed and the channel cleaned out, (see photo at left), it is ready to accept the new cane and spline, which gets tapped into place with hammer and caning wedges. This process is tedious and time consuming and you really must focus on the work, which means no distractions!

The basic dynamic of installation is the same as hole cane, but the challenge of this style is to keep the rows straight vertically as well as horizontally, as they tend to shift while you install the spline. Once you have tapped the cane down enough to accept the spline (keep it in place with caning wedges) you can then carefully apply clear drying glue into the channel, then follow it with the new spline, being conscious of carefully bending and fitting it around those tight corners. (If your chairs have larger curves, it is much easier to install spline).

Of the two ways of cane installation, spline or hand weave, this is the “easier” way to do it, but that doesn’t mean it’s simple. It takes precision, patience and the right tools to do it right.

Painted Cedar Chest Revival

Cedar Chest Before

Cedar Chest After

This is one of many cedar chests we have done, but it is the first one we have refinished that was painted. Personally, I can’t imagine why someone would paint a cedar chest, as the wood itself is too beautiful to cover up. My customer had purchased this painted cedar chest at an estate sale and wanted to see what was hidden beneath ugly green paint. I innerly groaned envisioning someone slapping paint on such a lovely piece of furniture. We had our work cut out for us!

The refinishing process is tedious, but when we get a painted item of furniture that the customer wants stained, it is necessary that every spec of paint is removed, because once it is stained, if not removed, that paint will be visible. Therefore, the stripping and sanding process must be done with intense precision and close attention to detail. It is easy to overlook the small crevices, but they too must be stripped of any and all remnants of paint or any other old finish. That’s where the wood carving tools come in quite handy as they allow us to get into the tiny spots that paint can get trapped.

You never really know what the wood will reveal once the paint has been removed, but as with most cedar chests, this one was was quite beautiful. It had accent strips on the front with wood “buttons” for a bit if decorative flair. It has great lines and a lift-up shelf not the inside. It was also a Lane, so a commonly known brand name that many people have experience with. Upon research, I discovered that Lane cedar chests have the date they were made stamped on the underside of the chest in reverse.  (Therefore if your cedar chest’s serial number is 649010, it was built on January 9, 1946). 

Cedar Chest Before

Cedar Chest After

The inside bottom of the Lane brand cedar chest has a large inset dowel, with a screw that you can turn to release the cedar fragrance. Cedar chests are natural moth repellants, so they are much sought after for precious linens or vintage and antique quilts, to keep them free of these destructive pests and hole-free.

Not all cedar chests have a serial or date stamp on the bottom as there were many manufacturers of cedar chests across the country. Lane is a popular brand that offers a variety of styles and sizes.

Upon completion, this lovely Lane was once again in its original condition, showing off its many tones of wood with that easily recognizable cedar fragrance that we love and moths hate!

Finished Cedar Chest

Check out other cedar chests we have refinished by clicking on these links:
https://finalefurniture.blogspot.com/2019/11/solid-cedar-chest.html
https://finalefurniture.blogspot.com/2016/08/1948-lane-cedar-chest_22.html
https://finalefurniture.blogspot.com/2015/04/elegant-cedar-chest-revival.html
https://finalefurniture.blogspot.com/2013/12/1945-lane-waterfall-cedar-chest.html
https://finalefurniture.blogspot.com/2012/06/my-waterfall-cedar-chest.html